Another year of EnergaCAMERIMAGE has gone by and so to has our annual Celebration of Cinematography.
Linus Sandgren ASC FSF was perfectly aligned with writer-director Emerald Fennell’s visual ambitions when lensing a twisted tale that is shocking yet beautiful.
Old and new techniques were magically merged in the filming of Yorgos Lanthimos’ award-winning Poor Things.
EnergaCAMERIMAGE reveal the winners of the 31st edition of the festival.
Find out how Rodrigo Prieto ASC AMC helped make writer/director Greta Gerwig’s concept of “authentic artificiality” a reality.
The May/June 2023 issue of British Cinematographer is now here! Find out more about just some of the interviews and articles you can expect to find inside our latest edition.
Pablo Larraín’s latest film borrows from film and folklore history to reimagine Chile’s former dictator Augusto Pinochet as a blood-sucking vampire.
“The film has a nostalgic tone and I felt that Super8 could add to that. But I wanted to treat it seriously and that probably excited me the most – approach the shooting of the film on this 'amateur' format with the same rigour that one would if shooting on 16mm, 35mm or the latest high-end digital cameras.”
Todd Banhazl ASC was enlisted to ensure the HBO show captured the explosive rise of one of sport's most iconic dynasties.
- Behind the Scenes
- BSC Heritage Series
- Camera Creative
- Cinematic Classic
- Commercial Break
- Event Previews and Reports
- In Focus
- In the Frame
- Industry Wide Shot
- Music In Motion
- New Wave
- Set To Post
- Special Reports
- The Big Picture
- The Craft
- Train to Gain