Features
The final creative to have an impact on the look of a movie or television series is the colourist who works closely with the director and cinematographer. To better understand the dynamics and evolution of the grading process, several cinematographers and colourists discuss their collaborations, whether it be for the first time or over the course of multiple projects.
Bill Dill ASC shares his experiences of teaching cinematography
Karen Pyudik talks to Bill Dill ASC about teaching cinematography and inspiring and empowering the filmmakers of the future as they overcome creative barriers and develop individual relationships to filmmaking.