Rina Yang / Super. Human.
Cinematographer Rina Yang talks the creative process behind the gritty yet quirky commercial.
Matthew Lewis / Boiling Point
Boiling Point is either a very savoury year-end cinematic dish, or a great way to start the new one.
Annika Summerson / Censor
Cinematographer Annika Summerson discusses blurring the lines of fiction, reality and memory in 'Censor'.
Aaron Reid / Stephen
The cinematographer shares insight into the retelling of a story of great significance.
David Rom / Ted Lasso
David Rom discusses avoiding comedy visual stereotypes, a fish-out-of-water cinematography style and pairing the ARRI Alexa LF with Tokina lenses.
Sarah Cunningham / Flatland
British Cinematographer caught up with Sarah to discuss the trials and tribulations of shooting an independent film in an unfamiliar world.
Inside the creation of Wolf Alice’s ‘Blue Weekend’ visual album
Cinematographer Molly Manning-Walker and the creative team behind Wolf Alice’s Blue Weekend visual album share the story of its creation.
Pierre Aïm AFC / La Haine
Set in the aftermath of a riot, La Haine was a sensation in 1995. George Steel BSC revisits the cinematography of Pierre Aïm AFC.
Issue 108
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