Sean Bobbitt BSC / Judas and the Black Messiah
The visual mastery of cinematographer Sean Bobbitt BSC supports an emotional narrative journey in Shaka King’s Judas and the Black Messiah, the true story of deceit, racial injustice, and the killing of Black Panther Party leader Fred Hampton.
VMI helps launch UK’s first apprenticeship standard for camera technicians
Apprenticeship standard for UK camera rental companies will include a high level of training to enable school leavers to enter the industry and become fully-trained camera technicians with a full-time job at the end of the programme.
Oscars announce shortlists for first nine Academy Award categories
The Academy of Motion Picture Arts and Sciences announced the shortlists for Documentary Feature, Documentary Short Subject, International Feature Film, Makeup and Hairstyling, Music (Original Score), Music (Original Song), Animated Short Film, Live Action Short Film and Visual Effects.
Cooke S7/i Full Frame Plus lenses add visual clarity to Behind Her Eyes
Cinematographer Felix Wiedemann, BSC chose Cooke lenses to capture details of full frame project.
The DP-Colourist Relationship
The final creative to have an impact on the look of a movie or television series is the colourist who works closely with the director and cinematographer. To better understand the dynamics and evolution of the grading process, several cinematographers and colourists discuss their collaborations, whether it be for the first time or over the course of multiple projects.
Issue 103
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Bill Dill ASC shares his experiences of teaching cinematography
Karen Pyudik talks to Bill Dill ASC about teaching cinematography and inspiring and empowering the filmmakers of the future as they overcome creative barriers and develop individual relationships to filmmaking.