We caught up with cinematographer Ben Seresin BSC ASC at his home in Los Angeles, to discover more about his take on reanimating The Mummy for 21st century audiences in Universal Studios’ $200m production.
Peter Doyle, supervising digital colourist at Technicolor, gives a fascinating insight into how HDR contributes to storytelling and how projects he has wrapped-up have made effective use of it.
During a career stretching over 50 years, James Devis BSC operated on a healthy number of great films with many notable directors and cinematographers. Read about his remarkable story.
Across The Pond
In the first of a new feature, Mark London Williams writes in from the USA to present British Cinematographer readers with a monthly perspective on all things gear and those using it.
Guardians Of The Galaxy Vol. 2
Shot by dazzling shot, line by irreverent line, Guardians Of The Galaxy Vol. 2 is witty, action-packed and spectacular. Cinematographer Henry Braham BSC guides us through his visual processes.
Ghost In The Shell
Ghost In The Shell's creative and technical task of converting script into images, while paying homage to the original manga and anime versions, fell to cinematographer Jess Hall BSC.