Shang-Chi 01

Panavision Sydney services Shang Chi

Courtesy of Amazon

ZEISS Supreme primes on Annette

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Introducing the British Cinematographer Player


Power Book III: Raising Kanan takes a look back to the 1990s with Cooke lenses


2021’s top Summer films use Blackmagic Design

Larry Smith filming The Forgiven

Cinematographer Larry Smith ASC BSC uses Cooke Anamorphic/i lenses for The Forgiven

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Martin Campbell’s The Protégé graded in Da Vinci Resolve


Vintage Cooke Speed Panchro lenses bring nostalgic look to The Sixth Reel

Wolf Alice by Jordan Hemingway 3

Wolf Alice creative team including cinematographer Molly Manning-Walker talk about collaborating with Digital Orchard for visual album

jungle cruise

DP Ian Seabrook behind underwater cinematography on Disney’s Jungle Cruise

Inside Covid 19 pic

VR documentary Inside COVID19 nominated for Emmy Awards

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Clear-Com wireless technologies used for Old Navy commercial shoot


Yinka Edward discusses shooting The Milkmaid

American 965 Still 3

Former airline captain-turned-director Tristan Loraine and DP Ed White discuss investigative documentary American 965


Underwater cinematographer Peter Zuccarini discusses filming corals using Canon cameras

Adrian Correia DP_Kevin Can Go2

Cooke Optics’ lenses bring reality to the dual worlds of AMC’s Kevin Can F**k Himself

the loneliest whale

Cinematographer Alan Jacobsen on The Loneliest Whale: The Search for 52

Big Night Cinematographer

Find out how cinematographer Ken Kelsch ASC helped craft Stanley Tucci’s Big Night

Zach Snyder Film Club

Watch Netflix’s behind-the-scenes footage of Zack Snyder’s Army of the Dead


Cinematographer Jack Donnelly discusses intricate camera work for Godfather of Harlem season 2

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