Productions

Shang-Chi 01

Panavision Sydney services Shang Chi

Courtesy of Amazon

ZEISS Supreme primes on Annette

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Introducing the British Cinematographer Player

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Power Book III: Raising Kanan takes a look back to the 1990s with Cooke lenses

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2021’s top Summer films use Blackmagic Design

Larry Smith filming The Forgiven

Cinematographer Larry Smith ASC BSC uses Cooke Anamorphic/i lenses for The Forgiven

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Martin Campbell’s The Protégé graded in Da Vinci Resolve

The Sixth Reel_ANDRE DE SHIELDS

Vintage Cooke Speed Panchro lenses bring nostalgic look to The Sixth Reel

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Wolf Alice creative team including cinematographer Molly Manning-Walker talk about collaborating with Digital Orchard for visual album

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DP Ian Seabrook behind underwater cinematography on Disney’s Jungle Cruise

Inside Covid 19 pic

VR documentary Inside COVID19 nominated for Emmy Awards

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Clear-Com wireless technologies used for Old Navy commercial shoot

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Yinka Edward discusses shooting The Milkmaid

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Former airline captain-turned-director Tristan Loraine and DP Ed White discuss investigative documentary American 965

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Underwater cinematographer Peter Zuccarini discusses filming corals using Canon cameras

Adrian Correia DP_Kevin Can Go2

Cooke Optics’ lenses bring reality to the dual worlds of AMC’s Kevin Can F**k Himself

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Cinematographer Alan Jacobsen on The Loneliest Whale: The Search for 52

Big Night Cinematographer

Find out how cinematographer Ken Kelsch ASC helped craft Stanley Tucci’s Big Night

Zach Snyder Film Club

Watch Netflix’s behind-the-scenes footage of Zack Snyder’s Army of the Dead

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Cinematographer Jack Donnelly discusses intricate camera work for Godfather of Harlem season 2

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