Productions

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Filmmaker Dekel Berenson and DP Volodymyr Ivanov explore their creative collaboration on Anna

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Director Robert Connolly and DP Stefan Duscio discuss crafting The Dry with the Panavision DXL2

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Cooke S7/i Full Frame Plus lenses add visual clarity to Behind Her Eyes

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Virtual production expands the possibilities for TV commercials

Jusqu'au Declin - Photo Credit: Netflix / Bertrand Calmeau

Netflix to open office in Canada

Alan Griswold of Monkey Deux

Monkey Deux goes remote to safely shoot Our Star Wars Stories

Credit: Cate Cameron/Lionsgate

Barb and Star Go to Vista Del Mar with Cooke Anamorphic/i Special Flair Prime and Zoom Lenses

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Blackmagic Pocket Cinema Camera 4K captures Trex

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Cinematographer Mark Patten BSC mixes and matches Cooke lenses from different eras on The Marksman

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Find out how Cinefade RotaPola was used for a Porsche automotive shoot

Otto Farrant & Vicky McClure in Alex Rider (image credit Amazon Prime Video)

Filming underway in Bristol for season two of Alex Rider, assisted by Bristol Film Office

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Cinematographer Sam Care shares the production story of Marcella series 3

Director, Peter Hoar, DP David Katznelson and gaffer Martin Taylor. Credit: Olly Pillon

Cinematographer David Katznelson on It’s a Sin

Credit: Supriya Kantak

Cinematographer Declan Quinn brings decades of Cooke lens experience to A Suitable Boy with S4/i Primes

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Wildlife cinematographer Toby Strong: the nature of innovation

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DP Peter Berglund shares the production story of D.O.A. – The Movie

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LitraStudio shines for Pete Romano ASC when filming 30 feet below

Screenshot of DJ Envy on Core from Sheldon's Macbook Pro

Graham Sheldon DPs remote cinematography for new docu-series

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Resource Productions films BBC drama with diverse cast and crew

•	Pitch 5 Productions was able to connect iHeartMedia’s director, talent, and the creative teams in real time using Dejero’s Smart Blending Technology

Dejero powers virtual video village for Pitch 5 Productions