Finishing Post – Molinare

Colour Palette Finishing Post / Molinare Colour Palette Finishing Post / Molinare Founded more than 45 years ago, Molinare is widely-recognised as a leading supplier in the UK post production scene, completing high-end projects across feature films, high-end TV drama, feature documentaries and broadcast factual programming. Its dedicated creative teams – across colour grading, factual … Read more

Ben Smithard BSC / Blinded By The Light & Downton Abbey

Double bill Ben Smithard BSC / Blinded By The Light & Downton Abbey Double bill Ben Smithard BSC / Blinded By The Light & Downton Abbey WANT TO READ IT ALL? Below is only a teaser, and the full interview can be found in the September 2019 issue (95) of British Cinematographer magazine. If you purchase a … Read more

Inside The New Issue: 95

Feast your eyes on the new edition of British Cinematographer magazine – digitally* via our website, or in print**, from 13th September 2019 onwards. On the Cover Ben Smithard BSC on Downton Abbey and Blinded By The Light In our latest cover feature, Ben Smithard BSC speaks to us about his ‘double whammy’ of shooting … Read more

Ben Smithard BSC / The Man Who Invented Christmas

Lighting ghosts Ben Smithard BSC / The Man Who Invented Christmas Lighting ghosts Ben Smithard BSC / The Man Who Invented Christmas Ben Smithard BSC has shot of a lot of films set in a range of periods throughout historical England – The Damned United, My Week With Marilyn, Belle, Diana And I, to name … Read more

Inside The New Issue: 85

Feast your eyes on the new edition of British Cinematographer magazine – digitally* via our website, or in print**, from 26th January 2018. On the Cover Seamus McGarvey BSC ASC on The Greatest Showman Seamus McGarvey takes centre stage to talk lights, cameras and action on his first musical film, The Greatest Showman, inspired by … Read more

Ben Smithard BSC /
Viceroy’s House

Birth of a nation Ben Smithard BSC / Viceroy’s House Birth of a nation Ben Smithard BSC / Viceroy’s House “Shooting on film is always a good experience. Although it’s perhaps a bit hackneyed to say that ‘film is magic’… it’s true! I knew from the outset that it would be easier to get the look I … Read more