Watch a tutorial about mixing hard and soft lighting on Grey’s Anatomy

Alicia Robbins shows how she incorporates the use of hard and soft lighting at different depths of the frame to give contrast and brilliance to the frame. Alicia Robbins is an Los Angeles based union director of photography. Robbins graduated with a MFA in Cinematography from AFI in 2003 and joined the union as an … Read more

March 2019: A subtle shift in focus

A subtle shift in focus Across The Pond / Mark London Williams A subtle shift in focus Across The Pond / Mark London Williams The first new column of spring finds us, once again, “between frames,” as it were. In the annual calendar’s relentless march – NAB! Cine Gear! Emmy! Oscar! – there is a … Read more

Janusz Kaminski ASC / The Post

Truth Will Out Janusz Kaminski ASC / The Post Truth Will Out Janusz Kaminski ASC / The Post BY: Ron Prince It wouldn’t have been awards season without Steven Spielberg somewhere in the mix, and his most recent movie The Post, shot on Kodak 35mm film by Janusz Kaminski ASC, was every inch a contender. … Read more

Inside The New Issue: 86

Feast your eyes on the new edition of British Cinematographer magazine – digitally* via our website, or in print**, from 16th March 2018. On the Cover Rachel Morrison ASC on Black Panther and Mudbound Rachel Morrison ASC made Academy Award history this year as the first female nominee for the Best Cinematography Oscar, and she … Read more

December 2017:
The Burning of Los Angeles

The Burning of Los Angeles Across the Pond / Mark London Williams The Burning of Los Angeles Across the Pond / Mark London Williams In what is still the greatest of Hollywood novels, Nathanael West’s Day of the Locust, the story ends with conflagration – quite literally “the burning of Los Angeles,” as both metaphor … Read more

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