Zeiss

Zeiss introduces Horizon Anamorphic – full-frame 2x anamorphics with a “new lens technology platform”

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A set of Zeiss lenses on a white background

Zeiss has unveiled the Horizon Anamorphic series, a new lineup of full-frame 2x anamorphic cinema lenses designed to deliver a “distinctive cinematic look” along with a new lens technology platform that “answers the need for speed and precision demanded by contemporary production workflows”.  Spanning 35mm to 200mm across seven focal lengths, Horizon lenses combine their … Read more

Zeiss introduces CinCraft LensCore – cinema lens looks for compositing

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A cityscape at night

Zeiss has announced the launch of CinCraft LensCore, “a novel solution for creating physically based cinematic lens looks for visual effects and animation”.  Built on the Virtual Lens Technology introduced at FMX in 2025, this new Nuke plugin “brings decades of Zeiss optical expertise into post-production, bridging the gap between on-set lens choices and the … Read more

Why Jason Oldak chose Zeiss Master Primes and Standard Speeds for Loot season 3

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Two people stood together talking

Cinematographer Jason Oldak (Lessons in Chemistry, Doin’ It, Minx) brought a brighter, more colourful vision to season three of Loot, the Apple TV comedy starring Maya Rudolph.  He made use of Zeiss Master Primes and Standard Speeds with the Sony Venice to achieve a refined, character-driven aesthetic that reflected the show’s evolution.  Where previous seasons … Read more

Comanche Academy: A Healing Journey uses ZEISS CP.3 & CZ.2 lenses to tell compelling story

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Kathryn Boyd-Batstone behind a camera

Through a collaboration between documentarian/cinematographer Kathryn Boyd-Batstone, Comanche educator Linette Amparan and producer Jhane Myers (Prey, First We Bombed New Mexico), new documentary Comanche Academy: A Healing Journey dives into the Comanche Academy, in Lawton, Oklahoma, and its community effort to reclaim Indigenous culture and identity for future generations.  The film captures the concerted efforts … Read more

Brett Van Dyke shoots Shoresy with Zeiss lenses

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Toronto-based Cinematographer Brett Van Dyke stepped into the rink for beloved Canadian hockey comedy Shoresy Season 4 as the show dove into its summer break arc. From Letterkenny creator Jared Keeso, Shoresy’s heart-warming hilarity is propelled by the manic energy and colorful personalities that make up the Sudbury Blueberry Bulldogs, Senior AAA campaigns at last. … Read more

Jeanfre Fachon and Sundeep Reddy move up at ZEISS

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ZEISS strengthens its global market team with the introduction of Senior Product Manager Cinema Jeanfre Fachon and the promotion of Senior Manager Cinematography Solutions Sundeep Reddy. In his new role as Senior Product Manager Cinema, Jeanfre Fachon will oversee the lifecycle of ZEISS cinema lens projects, from ideation to distribution. With two decades of experience … Read more

Brandon Peterson crafts beauty campaign with ZEISS Supreme Radiance Zooms

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Prolific Atlanta-based cinematographer, Brandon Peterson is a savvy technologist who believes having the right gear is key to tackling any eventuality on set. His company, BP40 Creative is known for its connections to top crew and filmmakers in the Atlanta area–and with over $1M of in-house gear, it’s no easy feat to catch Peterson off … Read more

Vintage lenses

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Ancient Optics  Ancient Optics is a cinema lens manufacturer with a focus on vintage optics. The company preserves and curates legendary optical designs for the modern cinematographer. Its extensive testing protocol insures all its lenses have the unique optical characteristics the company wishes to bring to the community. Ancient Optics’ most recent projects – Petzvalux, … Read more

ZEISS introduces Supreme Zoom Radiance

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The new ZEISS Supreme Zoom Radiance set includes three purpose-built T2.9 high-end cine zooms: 15-30mm, 28-80mm and 70-200mm. Featuring the same T* blue lens coating as the popular Supreme Prime Radiances, they offer a similar look with consistent flares and warmer colour rendition. “With the new Supreme Zoom Radiance lenses, we offer the only modern … Read more

Carissa Henderson uses ZEISS CP.3 Primes on Sue Bird: In the Clutch

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When cinematographer Carissa Henderson joined director Sarah Dowland to shoot the award-winning documentary Sue Bird: in the Clutch, she had no idea the challenges and adversity the film would have to overcome before finally premiering at the 2024 Sundance Film Festival. The documentary follows WNBA star and 5-time Olympic gold medalist Sue Bird for the … Read more

ZEISS / Images that impress

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ZEISS introduces the Nano Prime family of high-speed cine lenses for mirrorless full frame cameras, combining a cinematic look with a lightweight and compact design.  ZEISS Nano Primes are the first high-speed (T1.5 throughout) cine lenses made specifically for mirrorless full frame cameras – initially available with Sony E-mount. These primes offer a pleasing, versatile … Read more

DP Bongani Mlambo chooses ZEISS LWZ.3 and CP.3 for We’re All Gonna Die

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When independent filmmakers Freddie Wong and Matt Arnold approached Bongani Mlambo about their new film, We’re All Gonna Die, the Zimbabwean cinematographer knew it would be a special project. The film, which would later premier at the 2024 South by Southwest Film Festival, tackles themes of grief, survival, and connection in a world post-large-scale-calamity caused by … Read more

Will Turner pairs ALEXA 35 & ZEISS Supreme Prime Radiance for volume shoot

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As volume stages and virtual production become ever more prevalent, cinematographers face new questions of how to make the most of so many gear and equipment choices to best service their creative visions. Cinematographer Will Turner, Commercial Emmy-winner and Commercial Emmy-nominee, faced just such a predicament on a recent spot for TCL starring Charger’s quarterback … Read more

Lars Pettersson FSF: “Trends and technology at BSC Expo 2024”

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The 2024 edition of the BSC Expo – held in London’s Battersea Park from 16-17 February – is the most expansive version yet. Since this is one of the liveliest and most epic of European motion picture business trade shows, it attracts thousands of visitors. This time around even more exhibitors display their products outdoors … Read more

ZEISS introduces the Nano Prime family of high-speed cine lenses

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ZEISS Nano Primes are the first high-speed (T1.5 throughout) cine lenses made specifically for mirrorless full frame cameras – initially available with Sony E-mount. These primes offer a pleasing, versatile look that is adaptable for an extensive range of shooting situations and a compact, lightweight design that makes them easy to use on any set … Read more

ASC-Nominated Sheldon chooses ZEISS CP.3 lenses for King Coal

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Filmmakers Elaine McMillion Sheldon and Curren Sheldon have received accolades including an Oscar nomination and Emmy Award for their documentary filmmaking which frequently seeks to shine a light on their home state of West Virginia. The pair’s latest film is the 2023 Sundance premiering King Coal, a lyrical tapestry focused on the complex history of … Read more

EnergaCAMERIMAGE 2023: Exhibitor round-up

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Relive all the action from another successful edition of the celebrated festival with Lars Pettersson FSF. Once again, from 11-18 November, the picturesque little medieval city of Toruń in Poland became the backdrop for the EnergaCAMERIMAGE International Film Festival dedicated to the art of cinematography. And just as the city’s most famous son, renowned astronomer Nicholas … Read more

Aaron McLisky ACS use ZEISS Supremes on Talk To Me

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Almost one year ago, Australian cinematographer Aaron McLisky ACS, accompanied the filmmakers of Talk To Me to the film’s world premiere at Sundance 2023. Ten whirlwind months later the horror film, directorial debut of Danny Philippou and Michael Philippou, would see huge box office success becoming the distributor’s second highest grossing film. McLisky recalls the production process … Read more