Cooke Panchro/i Classic brings vintage look to Fugitive Dreams

For cinematographer Peter Simonite, ASC, CSC lensing the drama Fugitive Dreams meant needing a vintage look — but a look that was also consistent between lenses. To accomplish this, he chose the Cooke Optics Panchro/i Classic to give director and writer Jason Neulander the exact look he wanted for the film. Fugitive Dreams, based on … Read more

DaVinci Resolve makes the grade for Amulet

Amulet follows homeless ex-soldier Tomaz (Gods Own Country’s Alec Secaraenu), as he uncovers paranormal terrors after taking a job helping a young woman and her dying mother. “We wanted to create a film with a strong visual sensibility that inspired a visceral response and played on expectation of the horror genre,” begins director of photography, … Read more

Cooke Optics’ S7/i full frame plus primes help awaken emotions in I Still Breathe

Following the lift of the first lockdown in London caused by the Covid-19 outbreak in early July, cinematographer Matteo Bangrazi and filmmaker Alfred George Bailey immediately jumped on set with the rest of the team to film I Still Breathe. Relying on Cooke Optics’ S7/i series of lenses for full frame capture on an ARRI … Read more

ARRI announces new EF Mount (LBUS) for large-format and Super 35 cameras

To extend the benefits of using EF mount lenses to large-format motion picture productions, ARRI has redesigned its EF mount with a wider light baffle and LBUS connector, allowing it to cover the large-format sensor of the Alexa Mini LF, as well as the Super 35 sensors of the Alexa Mini and Amira. The new … Read more

Denson Baker ACS NZCS / The Luminaries

OPTICAL ESCAPE Denson Baker ACS NZCS /The Luminaries OPTICAL ESCAPE Denson Baker ACS NZCS /The Luminaries BY: Ron Prince “So many different kinds of artistry and expertise go into making a TV series, and every frame of the finished product shows the talent and efforts of hundreds of people,” says author Eleanor Catton, about The … Read more

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