Cinematographer Tat Radcliffe BSC chose the Cooke S7/i prime lens range paired with a Sony Venice to shoot Netflix’s much anticipated film adaptation of Matilda the Musical, which has been available on the streaming platform from 25 November 2022 in the UK and Ireland, and will be from 25 December in the USA and other … Read more
Cinematographer Felix Wiedemann, BSC chose Cooke Optics’ S7/i Full Frame Plus prime lenses to shoot Behind Her Eyes, a six-part mystery-drama for Netflix. Based on the eponymous novel by Sarah Pinborough, the story follows Louise, a single mum with a son and a part-time job in a psychiatrist’s office. Louise begins an affair with her … Read more
Following the lift of the first lockdown in London caused by the Covid-19 outbreak in early July, cinematographer Matteo Bangrazi and filmmaker Alfred George Bailey immediately jumped on set with the rest of the team to film I Still Breathe. Relying on Cooke Optics’ S7/i series of lenses for full frame capture on an ARRI … Read more
Peter Chang, known for his IMAX and giant-screen work as cinematographer on Jerusalem and America Wild: National Parks Adventure, has completed his latest film, Cuba, which won the Best Documentary award at the 34th Annual Fort Lauderdale International Film Festival and has begun releasing to museums, educational institutions and other giant screen and IMAX venues. … Read more
With only a four-day advance notice, and under strict non-disclosure, cinematographer Gianluca Bertone of Bertone Visuals in El Segundo, CA had to plan out the nighttime aerial production that would eventually show off Sony’s new VENICE CineAlta camera system — as well as the new Crystal LED Display System — at Sony’s NAB press event … Read more