Cooke Optics launches new exhibition exploring “intricate role colour can play in life and on screen”

Shopfront with a large circular colour wheel graphic, “Cooke” logo above the door, and number 39 on the glass. Screens display various images for a Cooke Optics exhibition, with “COLOUR Chromatic Worlds” on the window.

Cooke Optics has announced Colour, a curated exhibition exploring the intricate role that colour can play in life and on screen.  In the exhibition, visitors will find films and explainers presented chronologically, where colour “becomes a character in its own right, expanding beyond the technical to reveal how it’s a powerful storytelling tool, an emotional … Read more

Cooke Optics unveils Panchro 65/i for 65mm and larger-format cinematography

Cooke Panchro 65/I lenses in a row

Cooke Optics has unveiled Panchro 65/i, a new lens series designed for 65mm and larger-format cinematography. Cooke has engineered Panchro 65/i to “faithfully carry forward the distinctive aesthetic of the Panchro line”, the organisation revealed.  The lenses combine “classic character with modern performance, scaling the iconic Panchro look to cover a significantly larger image circle, … Read more

Cooke announces departure of Kees Van Oostrum

Kees Van Oostrum looking through a camera

Cooke Optics has announced the departure of non-executive chairman and board advisor Kees Van Oostrum after five years.  The Emmy-nominated cinematographer is stepping down to focus on filmmaking, teaching, and other business ventures. Van Oostrum departs after playing a “pivotal role” in several key initiatives at Cooke, the organisation said, including the development of the … Read more

Cooke’s new exhibition featuring The Brutalist

Cooke’s London Gallery is now showcasing Creative Gravity, an exhibition celebrating the creative collaboration between cinematographer Lol Crawley, BSC and director Brady Corbet. The new exhibition offers an in-depth look at their artistic synergy, highlighting their work on The Brutalist (2024), Vox Lux (2018) and The Childhood of a Leader (2015). The exhibition, currently on … Read more

Cooke Optics welcomes new CEO

Cooke announce the appointment of David Hancock as CEO, effective 6 January 2025. After four successful years as CEO, including expanding the business in new sectors that o er an exciting future for Cooke, Tim Pugh informed the board earlier in 2024 that he wished to retire. Since then, he has continued to lead the … Read more

EnergaCAMERIMAGE 2023: Exhibitor round-up

Relive all the action from another successful edition of the celebrated festival with Lars Pettersson FSF. Once again, from 11-18 November, the picturesque little medieval city of Toruń in Poland became the backdrop for the EnergaCAMERIMAGE International Film Festival dedicated to the art of cinematography. And just as the city’s most famous son, renowned astronomer Nicholas … Read more

Manoj Paramhamsa uses Cooke Anamorphic/i FF lenses on Leo

Leo is the third film in the Lokesh Cinematic Universe. Inspired by the A History of Violence graphic novel series, Lokesh Kanagaraj’s Tamil-language action thriller follows family man Parthi who resides in Northwestern India where he owns a coffee shop and helps the local forest ranger rescue animals. His attempts to keep a low profile … Read more

Kit Fraser on crafting the look for The Railway Children Return

Just over half a century ago, one of British cinema’s most memorable and heart-warming movies, The Railway Children, was released. Based on the 1906 novel of the same name by E. Nesbit and starring Jenny Agutter, Bernard Cribbins and Dinah Sheridan, the story of the Waterbury family has captivated audiences ever since. Fast forward just … Read more

Faiz Siddik on taking an anamorphic approach to Christopher

Christopher, a major new Malayam action film directed by B. Unnikrishnan and starring veteran actor and superstar of Indian cinema, Mammootty, gave cinematographer Faiz Siddik the opportunity to use Cooke Anamorphic/i FF SF (Full Frame Special Flair) lenses for the first time, while paving the way for the digital anamorphic format in India. Christopher follows … Read more

Proof Sheet replicates celluloid feel with Cooke Optics Anamorphic/i

Cinematographer Jonathan Pope relied on Cooke Optics 2x Anamorphic/i prime lenses and 1/2 Glimmerglass filters to recreate the film look of 1999 Los Angeles for the mystery Proof Sheet. Taking place between Christmas and New Year’s Eve, Proof Sheet tells the story of a beautiful woman in trouble and an incriminating roll of film that … Read more

Get to grips with the Cooke Look

DPs can try out Cooke’s new Varotal/i, S8/i and other lenses and watch the footage in a dedicated screening room in Toruń’s Old Town.  Cooke Optics is offering attendees at EnergaCAMERIMAGE the unique opportunity to light and shoot tests with their lenses and view the graded results in a 4K screening room.  The venerable lens … Read more

Cooke Anamorphic/i Prime Lenses used for Nine Bullets

For the small budget adventure-thriller Nine Bullets, DP Byron Werner used Cooke Optics Anamorphic/i prime lenses to give him the scope he needed for the intimate nature of the film, while elevating the look to that of a bigger budget project, all with the help of The Cooke Look. Nine Bullets tells the story of … Read more

Cooke Primes bring magical realism to the screen in The Water Man

Matt Lloyd ASC CSC has used Cooke Optics S4/i prime lenses extensively since they first came out – including the pilot for the limited television series Fargo. But in discussions with director, producer and actor David Oyelowo, they both knew that the look of The Water Man would need to be more majestic than a spherical lens … Read more

Cooke adds to Full Frame family with two Varotal/i FF zoom lenses and Panchro/i Classic FF range

Cooke Optics has announced the launch of two exciting additions to its expanding range of Full Frame lenses. Two new Varotal/i FF zoom lenses bring leading-edge modern design and materials to this historic line of zoom lenses that were first seen in 1971, while the extensive Panchro/i Classic FF range offers the beloved vintage Speed … Read more

Power Book III: Raising Kanan takes a look back to the 1990s with Cooke lenses

In the 1990s, almost every DP in New York was using the Cooke Optics S4/i for commercials, music videos, and independent features, according to Aaron Medick, one of the DPs on Power Book III: Raising Kanan, who also became lead DP  in the second season for Power Book II: Ghost after starting as B camera/Steadicam operator and moving up to DP for Power, which launched the franchise for cable and streaming service Starz. So, it should come … Read more