International

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iMAG and Treehouse Digital deliver mobile virtual production facility

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Iniative launched by production company Grey Moth offers £5k to emerging filmmakers

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Nominations for 78th Golden Globe Awards announced


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Cinematographer Mark Patten BSC mixes and matches Cooke lenses from different eras on The Marksman

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Find out how Cinefade RotaPola was used for a Porsche automotive shoot

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Society of Camera Operators (SOC) announces virtual Camera Operator of the Year Awards and Creative Vision Celebration

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Denton Black Film Festival, DBFF Institute and Panavision expand partnership

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Sony and CVP team up for ‘Rate my Rig’ social media competition

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Chinese hit A Little Red Flower graded using DaVinci Resolve Studio 17

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Sony launches CineAlta Club to provide training and support for the Cine community

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A.C. sister companies support MBSE Global technical teams with Luminex delivery

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Independent Spirit awards nominations announced

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Cannes Film Festival delayed until July

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Brompton Technology helps Pixomondo push virtual production boundaries

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HBO Europe gothic horror series 30 Coins finished in DaVinci Resolve

Dungarees (Director Abel Rubinstein, Director of Photography Isobel Jones)

BFI Future Film Festival announces 2021 film programme, awards jury and nominees

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BFI Cultural Programme highlights

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BAFTA Breakthrough India announces deadline extension, following surge of nationwide applications

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Cinematographer Sam Care shares the production story of Marcella series 3

Director, Peter Hoar, DP David Katznelson and gaffer Martin Taylor. Credit: Olly Pillon

Cinematographer David Katznelson on It’s a Sin