Director, Peter Hoar, DP David Katznelson and gaffer Martin Taylor. Credit: Olly Pillon

Cinematographer David Katznelson on It’s a Sin

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Take a sneak peek inside the January 2021 issue of British Cinematographer


BFI Future Film Festival announces 2021 dates

Credit: Supriya Kantak

Cinematographer Declan Quinn brings decades of Cooke lens experience to A Suitable Boy with S4/i Primes

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Wildlife cinematographer Toby Strong: the nature of innovation


ScreenSkills and S.O.U.L Fest launch mentoring scheme


Free Unreal Engine training with Escape Studios & ScreenSkills

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Director Bong Joon Ho will be president of the International Jury of the Competition at Venice International Film Festival

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Technicolor Post to be sold to Streamland Media

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albert launches revamped production carbon calculator and certification toolkit


Istanbul’s Bando Post adopts DaVinci Resolve Studio workflow


BlueBolt’s majestic VFX for The Great


DP Peter Berglund shares the production story of D.O.A. – The Movie


Netflix welcomes the new year with two new production facilities in Korea

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Veteran filmmaker joins GB Labs to spearhead North American operations


LitraStudio shines for Pete Romano ASC when filming 30 feet below

Screenshot of DJ Envy on Core from Sheldon's Macbook Pro

Graham Sheldon DPs remote cinematography for new docu-series


Documentary realism applied to narrative film Moloka’i Bound

•	Pitch 5 Productions was able to connect iHeartMedia’s director, talent, and the creative teams in real time using Dejero’s Smart Blending Technology

Dejero powers virtual video village for Pitch 5 Productions

Credit: ICFVX

Spectre Studios uses Brompton Technology for Unreal Build: Virtual Production event