THE REAL AND THE UNREAL “In my experience, most DPs get VFX. They’re often a technical bunch who love cameras and gear so they get what we do,” says Geoff D.E. Scott. Scott has supervised his share of visual effects, both on celluloid-shot movies, like Richard Donner’s underrated thriller 16 Blocks and Robert Eggers’ career-launching … Read more
A DIRECT RELATIONSHIP Critical to the successful preparation and execution of a movie is the creative partnership forged between the director and cinematographer. In order to explore the fundamental relationship, four pairings were selected, including two veteran actors making their directorial debuts, two Hollywood stalwarts working together for the first time, and a married couple … Read more
Colour My World The Craft / The DP-Colourist Relationship Colour My World The Craft / The DP-Colourist Relationship BY: Trevor Hogg The final creative to have an impact on the look of a movie or television series is the colourist who works closely with the director and cinematographer. To better understand the dynamics and evolution … Read more
THE CHANGING FACE OF CINEMATOGRAPHY Special Report / Part 2 THE CHANGING FACE OF CINEMATOGRAPHY Special Report / Part 2 The world of cinematography and the working lives of DPs have changed and evolved in many ways since British Cinematographer Magazine was launched in 2002. In our special 100th edition, and also in issue 101, … Read more
Secrets of the Master (Part 2 of 2) Vittorio Storaro AIC ASC / Café Society Secrets of the Master (Part 2 of 2) Vittorio Storaro AIC ASC / Café Society Triple Oscar-winning cinematographer, Vittorio Storaro AIC ASC, continues to share his experiences of shooting Woody Allen’s romantic comedy Café Society digitally, and offers more sage advice for … Read more
Secrets of the Master (Part 1 of 2) Vittorio Storaro AIC ASC / Café Society Secrets of the Master (Part 1 of 2) Vittorio Storaro AIC ASC / Café Society Triple Oscar-winning cinematographer, Vittorio Storaro AIC ASC, shares his experiences of shooting Woody Allen’s romantic comedy Café Society digitally, and offers some sage advice for up-and-coming cinematographers. … Read more
Past, Present & Future Special Report / Cinematography Part 4 Past, Present & Future of Cinematography Special Report / Part 4 There’s been a great deal of change during the time since British Cinematographer magazine first launched in 2004, so we asked leading cinematographers around the world to give us their takes on the past, present and future … Read more
Past, Present & Future Special Report / Cinematography Part 3 Past, Present & Future of Cinematography Special Report / Part 3 There’s been a great deal of change during the time since British Cinematographer magazine first launched in 2004, so we asked leading cinematographers around the world to give us their takes on the past, present and future of … Read more
Past, Present & Future Special Report / Cinematography Part 2 Past, Present & Future of Cinematography Special Report / Part 2 There’s been a great deal of change during the time since British Cinematographer magazine first launched in 2004, so we asked leading cinematographers around the world to give us their takes on the past, present and future of this … Read more
Past, Present & Future Special Report / Cinematography Part 1 Past, Present & Future of Cinematography Special Report / Part 1 There’s been a great deal of change during the time since British Cinematographer magazine first launched in 2004, so we asked leading cinematographers around the world to give us their takes on the past, present and future … Read more
Mind the Skills Gap Special Report / Skills Gap Mind the Skills Gap Special Report / Skills Gap With the UK in high demand as a base for international production, the domestic business is having to expand capacity on two fronts: the physical shooting stages and warehouses; and more film and creative sector crew to … Read more