Who’s Afraid Of Red, Green and Blue? Vittorio Storaro AIC ASC / Wonder Wheel Who’s Afraid Of Red, Green and Blue? Vittorio Storaro AIC ASC / Wonder Wheel By the master himself, triple Oscar-winning cinematographer, Vittorio Storaro AIC ASC, shares his experiences of shooting Woody Allen’s Wonder Wheel digitally, and offers more sage advice for … Read more
Feast your eyes on the new edition of British Cinematographer magazine – digitally* via our website, or in print**, from 10th November 2017. On the Cover Haris Zambarloukos BSC GSC on Murder On The Orient Express Climb aboard, settle in and grab a cup of hot cocoa. Haris Zambarloukos BSC GSC delivers the denouement of … Read more
Secrets of the Master (Part 2 of 2) Vittorio Storaro AIC ASC / Café Society Secrets of the Master (Part 2 of 2) Vittorio Storaro AIC ASC / Café Society Triple Oscar-winning cinematographer, Vittorio Storaro AIC ASC, continues to share his experiences of shooting Woody Allen’s romantic comedy Café Society digitally, and offers more sage advice for … Read more
Secrets of the Master (Part 1 of 2) Vittorio Storaro AIC ASC / Café Society Secrets of the Master (Part 1 of 2) Vittorio Storaro AIC ASC / Café Society Triple Oscar-winning cinematographer, Vittorio Storaro AIC ASC, shares his experiences of shooting Woody Allen’s romantic comedy Café Society digitally, and offers some sage advice for up-and-coming cinematographers. … Read more
Sony has confirmed that filmmaker Woody Allen has chosen Sony CineAlta F65 for his first-ever digital shoot, to be lensed by Vittorio Storaro AIC ASC. The currently untitled production will be mastered in 4K. Storaro, the three-time Academy Award winning cinematographer for Apocalypse Now, Reds and The Last Emperor, has dedicated his professional work to … Read more
Walkie Talkie Darius Khondji AFS ASC / Irrational Man Walkie Talkie Darius Khondji AFS ASC / Irrational Man Woody Allen is among the most prolific of big name directors working in cinema today. Since starting in the late 1960s he has produced a film a year for most of his filmmaking career. During that time … Read more