Blood Runs Thick through Cooke Anamorphic/I Lenses

October 14, 2017

Regardless of budget, every director and DP wants their film to look its best. That was no different with Blood Runs Thick, a low-budget, indie horror feature from director Romane Simon, lensed by LA-based Nik Shaw, with Cooke Anamorphic/i lenses selected for the production.

“Cookes are my favourite Anamorphic lenses,” said Shaw. “I especially like the coated Cookes because I can run-and-gun without a matte box and avoid flaring. Even wide open, I get a super sharp, beautiful image with the Cooke Anamorphic/i lenses. I’m talking about no distortion with the 40mm and higher lenses, and minuscule distortion on the 32mm. And then there’s the excellent bokeh. I’ve used them on commercial shoots and two other features. I typically team them up with the Alexa Mini to achieve an optimal weight.”

Using his own Alexa Mini digital camera, Shaw rented the 32, 40, and 75mm primes, plus the 35-140mm 4:1 zoom Anamorphic from Citizen Cine in Hollywood.

“I wanted to make this my best film yet, something to be very proud of,” said Simon. “I did a lot of research on other films that used the Alexa and Cooke Anamorphic/i combination, and with Nik’s encouragement, I knew that the Cooke lenses would give us the high-end look we wanted. After all my research, I just wanted to use the Cookes – other lenses didn’t come close to the look I was after.”

Starring Tom Sizemore, Emily Killian, Matthew Ashford and Judi Evans, Blood Runs Thick is a Lucky Strikes Film Studio production. Shot in Los Angeles, The Valley, Woodland Hills, and Van Nuys in California, it follows a beautiful young woman who struggles with frightening hallucinations and a crumbling mental state after her husband goes missing. Caught between what’s real and what’s not, her nightmares become reality.

“Nik was able to give me the creative look I was going after, similar to Don’t Breathe (2016),” said Simon. “We were always bouncing ideas off each other, and knocking heads, giving me the creative process that I needed.”

Shaw’s vision for Blood Runs Thick was to make it look natural, even though all of the scenes were artificially lit. “I was inspired by Kiss Kiss Bang Bang (2005) and its neo noir style. And the Cooke lenses brought that extra kick to the picture, allowing me more creativity than with other lenses, especially in low light. I wanted this beautiful blue saturated light and the Cookes gave me exactly what I wanted… and really upped our production values in the way that they handle highlights.”

Blood Runs Thick is scheduled to premiere in Hollywood on October 31, 2017.

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