Get a first look at the November/December 2024 issue of British Cinematographer
As we close out another remarkable year, the November/December edition of British Cinematographer arrives, capturing the essence of our dynamic industry. This issue is filled with insightful content, highlighting the latest trends, innovative techniques, and deep explorations of cinematographic artistry. Join us in celebrating the craft and the achievements of 2024. Here’s a sneak peek of what you’ll find inside…
ALICE BROOKS ASC ON WICKED
Dive into the spellbinding tech and techniques behind the lens—360-degree shots, colour magic, and creative wizardry transform this beloved tale into a visual feast.
HARIS ZAMBARLOUKOS BSC GSC ON BEETLEJUICE BEETLEJUICE
Tim Burton returns with practical magic—puppets, vibrant colours, and kinetic camera work blend to create a hauntingly immersive experience.
ALEX DISENHOF ASC, JEAN-PHILIPPE GOSSART AFC AND LAURIE ROSE BSC ON THE LORD OF THE RINGS: THE RINGS OF POWER
Marvel at the creation of the biggest battle scene ever to hit the small screen.
LAWRENCE SHER ASC ON JOKER: FOLIE À DEUX
Sher’s tech-savvy lens on Joker’s sequel zooms in with LED lights and seamless IMAX transitions.
CAROLINA COSTA AMC ON FANCY DANCE
A blue-hued lens and ARRI Alexa LF frame the movie with rich, immersive lighting and large format mastery.
DREW DANIELS ON ANORA
Classic techniques and contemporary storytelling illuminate character-driven narratives in Sean Baker’s Palme d’Or-winning production.
VISIONARY: ED LACHMAN ASC
Three-time Oscar nominee and recipient of the 2024 Camerimage Lifetime Achievement Award, Ed Lachman ASC, shares insights from his remarkable career, reflecting on pivotal collaborations and the evolution of cinematic storytelling.
THE CRAFT: INDIAN CINEMA
Explore how Indian cinema has broken through geographical boundaries, fuelled by digital platforms and a diverse diaspora, showcasing stories that resonate on a global scale as India’s population and middle class continue to expand.
INDUSTRY WIDE SHOT: STUDIOS
UK studios are adapting to industry transformations, concentrating on growth, sustainability, and training initiatives to secure a promising future in film production as they navigate new challenges and opportunities.
BFI LONDON FILM FESTIVAL REVIEW
Filmmakers and cinema enthusiasts converged in the heart of film culture to discuss, celebrate, and immerse themselves in cinematic experiences at the BFI London Film Festival.
MANAKI BROTHERS FILM FESTIVAL REVIEW
Manaki Brothers Film Festival is celebrated for its intimate, educational, and inspiring atmosphere. British Cinematographer participated alongside filmmakers to embrace the enchanting spirit of Manaki as the festival marks its 45th anniversary.
HERE’S WHAT ELSE YOU’LL FIND IN THE LATEST ISSUE…
Emmy’s Round-up
The 76th Emmys highlighted outstanding cinematography across various genres. Discover the key moments and celebrations that unfolded in Tinseltown.
Paul Guilhaume AFC on Emilia Pérez
Operatic storytelling and innovative cinematography explore transformation and identity through vibrant music and emotional depth.
Mihai Mǎlaimare Jr. ASC on Megalopolis
Francis Ford Coppola’s ambitious cinematic tapestry blends utopian dreams and stark realities in a visually stunning reimagining of New Rome.
Sara Garth on Black Barbie
The journey of representation and diversity in the iconic doll’s evolution, celebrating inclusivity and impact.
Andrew Wonder on Oh, Canada
The cinematographer honours his mentor, writer-director Paul Schrader, through a blend of stylised storytelling and innovative visuals, crafting a poignant exploration of memory and loss.
Point of View: Ravi Varman ISC shares reflections on his 25-year journey as a cinematographer in Indian cinema, contemplating the interplay of art, commerce, technology, and the industry’s evolving landscape.
Interview: Cinematographer Erik Messerschmidt ASC delves into the critical significance of colour in storytelling, his collaborative work with colourists, and the knowledge he gained from serving as a judge at the FilmLight Colour Awards during Camerimage Film Festival.
Meet the New Wave: Lorena Pagès, an emerging talent in cinematography, recounts her transition from student to professional, discussing her inspirations, key achievements, and ambitions to craft visually captivating and emotionally impactful films.
Camerimage Preview: Marek Żydowicz, president of Camerimage, highlights the key moments from the 2023 festival and unveils exciting plans for 2024, celebrating the artistry of cinematographers through diverse screenings, workshops, and award presentations.
Music in Motion: Yu-Ming Huang shares insight into creating “To Night”, a music video that intertwines urban themes of desire and despondency, showcasing clever cinematography and artistic vision.
Tech-nique: While data storage might not be glamorous, it is just as vital as the camera in digital filmmaking, playing a crucial role in capturing and safeguarding cinematic vision.
President’s Perspective: Christopher Ross BSC examines the hurdles cinematographers face, offers insights on mental health within the industry, and honours the legacies of Halyna Hutchins ASC and Mark Milsome. Their tragic losses have spurred vital enhancements in set safety and awareness.
News Highlights: Delve into the latest happenings in the industry, featuring updates on The BSC Short Film Competition, the ShotDeck Recreations Contest, the winners of Fighting Spirit, the Toronto International Film Festival, and more.
Letter from America: Steven Poster ASC reflects on his experiences teaching cinematography at his alma mater, Art Center College of Design, sharing insights on lighting, storytelling, and fostering the next generation of visual storytellers.
GBCT News: Examine the government’s proposed Employment Rights Bill, which addresses working hours, the repercussions of recent strikes on production, and the pressing need for flexible work arrangements to retain talent in the industry.
IMAGO News: Adriana Bernal Martínez, co-vice-president of IMAGO, discusses the initiatives of the Master Class Committee to promote cinematography education and foster collaborations with manufacturers for advancements in technology.
Set to Post: Discover how post-production specialists convert raw footage into breathtaking visual narratives, enhancing each frame to elevate the overall cinematic experience.
Plus, explore a wealth of industry news and developments!
Digital and Print & Digital Subscribers can read our 126th edition now by clicking here.
Print subscribers* will receive their copies in the post within the next fortnight.
Not a subscriber yet? Don’t worry – you can get your annual subscription now from just £30 ($39) by clicking here.
*Issue 126 will only be received in printed format by those with an active ‘Print’ or ‘Print & Digital’ subscription purchased before 31st October 2024. Any new ‘Print’ or ‘Print & Digital’ subscription purchases made from 31st October 2024 onwards will NOT receive this issue in print as part of their purchase.
