Here comes the sun! Summer is in full swing, and we’re turning up the heat with the sizzling July/August edition of British Cinematographer. Get ready to dive into our latest issue, brimming with exciting content and exclusive insights from the heart of the film industry. Here’s a sneak peek of what’s in store:
SIMON DUGGAN ASC ACS TALKS FURIOSA: A MAD MAX SAGA
You don’t need to be a Mad Max fan to appreciate the extraordinary craftsmanship behind Furiosa: A Mad Max Saga. In our exclusive interview with Simon Duggan ASC ACS, discover how he took over the lensing duties from the legendary John Seale AM ACS ASC and pushed the visual boundaries of this iconic franchise even further.
ROBBIE RYAN BSC ISC ON KINDS OF KINDNESS
It’s a kinda magic: read how Robbie Ryan BSC ISC and Yorgos Lanthimos used 35mm film and Panavision lenses to craft a visually cohesive, thematic triptych in Kinds of Kindness.
ADAM STONE ON THE BIKERIDERS
Adam Stone brings The Bikeriders to life using 35mm film and handheld cameras, capturing the raw, authentic feel of a 1960s Midwestern motorcycle club.
DAVID KATZNELSON BSC DFF ON THE TATTOOIST OF AUSCHWITZ
Filming a movie about Auschwitz and the Holocaust is inevitably poignant, especially with a personal connection. This only fuelled David Katznelson BSC DFF, enabling him to create a hauntingly beautiful spectacle.
KRZYSZTOF TROJNAR AND ANNIKA SUMMERSON BSC ON BABY REINDEER
Baby Reindeer is arguably the most talked-about series of the year so far, attracting incredible reviews while courting controversy in the press. Cinematographers Krzysztof Trojnar and Annika Summerson BSC, explain how they made the Netflix series that has had 84 million views… and counting.
AARON REID ON SUPACELL
Peckham is the unlikely home to a group of people bestowed with special powers. With a predominantly Black cast, Supacell cinematographer Aaron Reid explains how he managed to light a diverse range of skin tones, spanning from lighter to darker.
VISIONARY: JOHN SEALE AM ASC ACS
If there’s a short list of cinematographers who need little or no introduction, John Seale AM ASC ACS is certainly among them. Discover more about the man whose credits include Rain Man, The English Patient, and Harry Potter and the Philosopher’s Stone.
THE CRAFT: ACTION
Explore the evolution of action filmmaking, from stunt recognition efforts to technological advancements in cinematography for immersive experiences.
THE BIGGER PICTURE: AGENTS FOR CHANGE
Building on the success of last year’s inaugural Agents for Change feature, we continue to highlight remarkable individuals, events, and organisations dedicated to fostering diversity and equality within the industry.
EVENT REVIEWS
Cannes, Cine Gear and Sony Future Filmmaker Awards event round-ups.
INTERVIEW: SANTOSH SIVAN ASC ISC
Making history: Santosh Sivan ASC ISC the first Indian recipient of the Pierre Angénieux Tribute at Cannes.
POINT OF VIEW: SAFETY
Samantha Wainstein, Chair of the Mark Milsome Foundation, stresses crew safety through training participation and advocacy for protocols.
HERE’S WHAT ELSE YOU’LL FIND IN THE LATEST ISSUE…
Gain insights from Christopher Ross in his President’s Perspective.
Enjoy exclusive Behind the Scenes features, including:…
Cinematographer Charlie Knight’s journey with Rebirth, a standout at the CVP and Canon 2024 Stories in Motion Young Filmmakers Awards.
James Hubbard’s award-winning documentary A Perceptual Phenomenon, capturing hearts at the CVP and Canon 2024 Stories in Motion Young Filmmakers Awards.
Sayombhu Mukdeeprom discusses shooting on film and the making of the love triangle in Challengers.
Facing the future: Dr Cristina Busch and Argyris Theos GSC explore AI’s impact on cinematography creativity and authorship.
GBCT: Sarah Hayward navigates the post-strike landscape
Meet the new wave: Q&A with the very talented DP Alana Mejía González.
Looking up and down: learn all about aerial filming from those in the know.
Plus, explore a wealth of industry news and developments!
Digital and Print & Digital Subscribers can read our 124th edition now by clicking here.
Print subscribers* will receive their copies in the post within the next fortnight.
Not a subscriber yet? Don’t worry – you can get your annual subscription now from just £30 ($39) by clicking here.
*Issue 124 will only be received in printed format by those with an active ‘Print’ or ‘Print & Digital’ subscription purchased before 2nd July 2024. Any new ‘Print’ or ‘Print & Digital’ subscription purchases made from 2nd July 2024 onwards will NOT receive this issue in print as part of their purchase.
