DISTORTED TRUTH What we see may not be what is going on. Similarly, memories can distort and tell very different stories with the passage of time. These uncertainties form the basis of psychological thriller Chloe, which called for cinematographer Catherine Goldschmidt to create the look of these different realities, switching between them to eventually reveal … Read more
The March 2022 issue of British Cinematographer is now here! You can find out more about the exclusive interviews and articles you can find inside our BSC Expo 2022 special edition now by reading on… DAN LAUSTSEN ASC DFF ON NIGHTMARE ALLEY In our cover story special, we catch up with Dan Laustsen ASC DFF to discuss his time lensing neo-noir psychological thriller Nightmare Alley – based on the 1946 novel … Read more
A NEW REALITY LED volumes are an exciting new tool in the cinematographer’s toolbox, mixing the real with the unreal. Four cinematographers who have already embraced the technology share their experiences. The term “virtual production” encompasses practices like pre-visualisation and remote location reccies, but its most exciting branch is in filming itself: the ability to shoot … Read more