Take a sneak peek inside the September/October 2024 issue of British Cinematographer
Aug 30, 2024
Get a first look at the September/October 2024 issue of British Cinematographer
As summer’s warmth retreats and autumn’s cool embrace settles in, the September/October edition of British Cinematographer unfurls with timeless vitality. This issue, teeming with vibrant content and industry insights, invites you to immerse yourself in the latest trends, innovative techniques, and profound explorations of cinematographic artistry. It’s also an extra special edition as it celebrates the BSC’s 75th anniversary. Here’s a glimpse of what awaits within…
DAN MINDEL ASC BSC SASC ON TWISTERS
Catch the whirlwind as the cinematographer reveals the story behind Twisters, the sequel that’s truly a cinematic storm.
PJ DILLON ASC ISC, CATHERINE GOLDSCHMIDT BSC, VANJA ČERNJUL AND ALEJANDRO MARTÍNEZ ON HOUSE OF THE DRAGON
Series two of House of the Dragon has arrived. Discover the artistry of the talented cinematographers who masterfully brought this epic saga to life on the small screen.
JEFFREY JUR ASC, ALICIA ROBBINS AND DIANA OLIFIROVA ON BRIDGERTON
The third series of Bridgerton has arrived, unveiling a world of unparalleled elegance and romance. Delve into the brilliance and devotion behind the making of this enchanting tale as it unfolds in all its majestic glory.
JAMES FRIEND ASC BSC AND CHRIS TEAGUE ON THE ACOLYTE
A fan of the Star Wars galaxy? Then discover the secrets of how The Acolyte was crafted and learn the ways of the Force behind the scenes.
PAT SCOLA ON SING SING
Sing Sing (2023) delves into inmates’ theatrical performances via Rehabilitation Through the Arts programme. Discover how Pat Scola staged this captivating story.
VISIONARY: ANTHONY DOD MANTLE ASC BSC DFF
Once aspiring to be an estate agent, Anthony Dod Mantle ASC BSC DFF found his passion for cinematography through a childhood of frequent moves and creative exploration.
MEET THE NEW WAVE: BANI MENDY
A love for light and an early exposure to cinema led to discovering a passion for cinematography.
THE CRAFT: HORROR
Horror demands skill and imagination to keep viewers on edge. Discover how the masters maintain thrilling chills and frightful finesse.
BSC MASTERCLASS SPECIAL
Ever wondered how cinematographers achieve the most beautiful shots? Benedict Spence BSC (Eric); Benjamin Kracun BSC (The Substance); Tim Palmer BSC (Geek Girl); and Nanu Segal BSC (Hoard) share their insights and techniques.
TRAIN TO GAIN
The BSC Mentorship Scheme is in full swing for 2024. BSC Education Committee chair Oliver Stapleton BSC reveals updates, benefits, and how to participate
HERE’S WHAT ELSE YOU’LL FIND IN THE LATEST ISSUE…
BSC Heritage: While “legend” is often overused, Bert Easey BSC, a co-founder of the society, embodies the term through his enduring impact.
In the Frame: A very warm welcome to and meeting with the new Full and Associate BSC members.
Cinematic Classic: Carol Reed’s 1949 classic The Third Man, with Orson Welles, returns in a stunning 4K restoration, highlighting Robert Krasker BSC’s cinematography.
News highlights: Awards, festivals, and appointments—find out the latest updates.
Tech-nique: Glass from the past: Why vintage lenses are timeless classics.
President’s Perspective: Gain insights from Christopher Ross BSC in a special version of President’s Perspective.
IMAGO News: Mustapha Barat ABC reflects on how the BSC and other societies were instrumental in forming the International Federation of Cinematographers (IMAGO) and how their united power continues to shape the industry today.
Letter from America: Steven Poster ASC extends heartfelt congratulations to the BSC on its milestone anniversary, celebrating the enduring bond between the two societies.
GBCT News: The GBCT share a birthday message to the BSC!
Plus, explore a wealth of industry news and developments!
Digital and Print & Digital Subscribers can read our 125th edition now by clicking here.
Print subscribers* will receive their copies in the post within the next fortnight.
Not a subscriber yet? Don’t worry – you can get your annual subscription now from just £30 ($39) by clicking here.
*Issue 125 will only be received in printed format by those with an active ‘Print’ or ‘Print & Digital’ subscription purchased before 30th August 2024. Any new ‘Print’ or ‘Print & Digital’ subscription purchases made from 30th August 2024 onwards will NOT receive this issue in print as part of their purchase.
Comment / Karl Liegis, head of production, 60Forty Films