The Day of the Jackal

How Christopher Ross BSC used 300 Asteras to light border crossing in The Day of the Jackal

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A film crew works outdoors with a camera set-up on a dolly, as Christopher Ross BSC operates the camera while others assist, wearing headsets. A person in a brown coat and hat walks nearby. Trees and park greenery are visible in the background.

Sky thriller The Day of the Jackal emerged in late 2022 when director Brian Kirk approached Christopher Ross BSC with his vision: a reimagining of Frederick Forsyth’s classic in a contemporary, high-octane context.  Ross conceptualised a sharp, thriller-driven aesthetic, marrying the tension of subterfuge with the psychological depth of a character study. His ‘mood film’, … Read more

Christopher Ross BSC, Dale Elena McCready BSC NZCS, Ashley Rowe BSC, and Laurie Rose BSC / The Day of the Jackal

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FILMNG THE CHASE  The Day of the Jackal (2024) channels James Bond-esque intrigue with DPs Christopher Ross BSC, Dale Elena McCready BSC NZCS, Ashley Rowe BSC, and Laurie Rose BSC at the helm. Shot with Sony Venice 2 and ARRI Alfa anamorphic lenses, the series blends sleek visuals, dynamic lighting, and cinematic cityscapes.  The Day … Read more