Our latest Focus On guide explores the relationship between cinematography and sustainability. We speak to industry leaders about how to be sustainable on set and what changes need to be made going forward.
LIGHT OF THE PARTY Production name: The Afterparty S2 Production type: Television series Cinematographer: Ross Riege Gaffer/chief lighting technician: Cameron Smith Director: Various Overview of The Afterparty and your approach to lighting: The series is a ‘Rashomon’-style murder mystery, retelling the same sequence of events from a different character’s perspective on an episode-by-episode basis. Each episode has a specific … Read more
VOYAGE OF ADVENTURE Production name: One Piece Production type: TV series Cinematographer: Nicole Hirsch Whitaker ASC (episodes one and two) Gaffer: Wiseman Dinizulu Director: Marc Jobst Overview of the production and what was the visual approach you adopted in terms of lighting: Marc and I met on a previous Netflix show, Jupiter’s Legacy, where we found a really similar … Read more
BRIGHT AND BEAUTIFUL Production name: Dope Queens Production type: Narrative feature Cinematographer: Madeline Leach Chief lighting technician (CLT): Mina Stollery Director: Grafton Doyle Overview of Dope Queens and your approach to lighting: Dope Queens follows three friends over the course of one wild night on the famously gritty streets of San Francisco’s Tenderloin district. Madeline and I agreed that … Read more
Comment / April Sotomayor, head of industry sustainability, BAFTA AlbertÂ