VFX

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Molinare partners with Atomic Arts

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Imagining dragons for BBC America’s The Watch

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Visual Effects Society announces VES Awards nominees

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I Care A Lot enhanced with VFX from Technicolor

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Vine FX creates innovative VFX for AMC’s Soulmates

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One of Us creates vfx magic for Netflix’s Bridgerton

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DNEG and Dimension announce virtual production partnership

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Accessing animation, games and VFX through tech

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The VFX & Post Talent Agency launches Futures scheme

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Vine FX delivers seamless VFX for BBC’s The Serpent

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Motion capture technology set to unlock a new wave of innovation in VFX

Weta Digital hires former Disney animation exec Ann Le Cam to join production team

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One of Us creates enchanting VFX for Pinocchio

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DNEG and Brompton Technology partner to forge new virtual production worlds

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Epic Games releases Unreal Engine 4.26

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Technicolor explores new worlds with colour and sound for His Dark Materials season two

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DNEG highlights collaboration between science and the silver screen with new black hole imagery

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DNEG appoints Paul Salvini as global chief technology officer

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Framestore returns to the world of His Dark Materials

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The seamlessly mysterious VFX of The Third Day