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Latest news:

Lensworks introduces NeoAO Version 2 anamorphic lens series

Lensworks expands X65 large format prime series with new 25mm ultra wide lens

British Cinematographer readers can get a free Visitor Pass to IBC2026

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New paper from Creative UK proposes solutions to “boost responsible AI adoption in the creative sector”




VFX

Creating George Miller’s graphic prequel: Furiosa

Jun 10, 2024

Milk appoints Katy Mummery as head of production

Jun 7, 2024

UNIT hires Pereira to lead long and short form creative

Jun 5, 2024

Greening VFX: How the film industry is embracing sustainable technology

Jun 5, 2024

UNIT Film & TV welcomes Diane Kingston from Ghost VFX

May 20, 2024

Hotspring launch machine-learning powered VFX tool Slapshot

May 7, 2024

UNIT announce move to bespoke eight storey studio in Fitzrovia

Apr 10, 2024

Escape Studios announces the 12th annual VFX Festival

Apr 9, 2024

Behind the visual effects of Fifteen Love

Mar 25, 2024

Explore Union’s seamless VFX on Saltburn

Mar 21, 2024

Freefolk announces return of Futurefolk Internship Scheme

Mar 20, 2024

Rodeo FX adds colour offering with Baselight

Mar 13, 2024

Creating the noirish visuals of ‘The Conspiracy: Assassination in Beirut’

Mar 6, 2024

CGI meets practical filming on After The Flood

Feb 20, 2024

Cinesite launches visualisation service division

Feb 20, 2024

Milk announces new Dublin VFX studio and enhances leadership

Feb 13, 2024

Picture Shop names Rachel Faith Hanson as executive producer of VFX

Feb 8, 2024

Arts University Plymouth alumni Oliver Hughes on creating VFX for Apple, Disney & more

Jan 31, 2024

Peel back the curtain on Union’s BAFTA nominated VFX work on Poor Things

Jan 30, 2024

VES announce nominations of VES Awards

Jan 17, 2024
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British Cinematographer Magazine is endorsed and read by: BSC - British Society of Cinematographers; GBCT - Guild of British Camera Technicians and IMAGO - International Federation of Cinematographers.

Issue 135 - May 2026

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