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Latest news:

ARRI signs agreement to sell its subsidiary Claypaky to a new strategic owner

Cannes 2025 selection features 24 productions shot on KODAK film

Silver Screen Analog Short Film Fund announce finalists

Film Soho launches brand new studio

The Young Arrows Awards are back and free to enter



Colour grading

Crafting authenticity through a naturalistic grade on The Zone of Interest

Apr 26, 2024

UNIT Film & TV deliver full picture post with colour grade  for This Town

Apr 18, 2024

SmallHD launches Quantum 32

Apr 15, 2024

FilmLight chooses Jigsaw24 Media as exclusive UK partner for Nara

Apr 15, 2024

Harbor welcomes colourist Bob Festa to artist roster

Apr 3, 2024

Royal Kill List: Creating the 1600s look

Mar 28, 2024

Maxine Gervais joins Harbor as senior colourist

Mar 6, 2024

Picture Shop adds senior colourist Sam Daley to roster

Mar 1, 2024

Picture Shop expands short form colour grading services

Feb 21, 2024

Meet the 2023 FilmLight Colour Awards winners

Feb 14, 2024

Mackenzie Taylor: “Films that defined my journey as a colour assistant”

Feb 2, 2024

Senior colourist Andrew Daniel joins The Look

Jan 15, 2024

FilmLight | Creating colour and connection for Priscilla

Dec 14, 2023

FilmLight releases Baselight 6.0

Dec 13, 2023

Digital Orchard launches diary service for on-set technicians

Dec 6, 2023

Colourist Walter Volpatto moves to Picture Shop

Nov 29, 2023

A punch of colour for Hatton documentary

Nov 27, 2023

Picture Shop adds senior colourist Tim Stipan

Nov 20, 2023

Talented colourists celebrated at FilmLight Colour Awards

Nov 13, 2023

JAMM adds renowned colourists Beau Leon and Jess Jinx to the team

Nov 10, 2023
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British Cinematographer Magazine is endorsed and read by: BSC - British Society of Cinematographers; GBCT - Guild of British Camera Technicians and IMAGO - International Federation of Cinematographers.

Issue 128 - March 2025

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