As with every year, the Festival de Cannes presents a selection of the best restored prints and invites those in attendance to explore the history of cinema.
The films are as followed:
La Drôlesse (The Hussy) by Jacques Doillon (1978, 1h30, France)
Presented by Malavida. 2k scan and restoration made from the negative image, by Éclair Cinéma laboratory. Sound restored from the negative by L.E. Diapason. Restoration made by Gaumont with the support of the CNC.
I Know Where I’m Going! (Je sais où je vais!) by Michael Powell and Emeric Pressburger (1945, 1h32, United Kingdom)
Presented by the Film Foundation. Restored by the BFI National Archive and The Film Foundation in association with ITV and Park Circus. Restoration funding provided by the Hobson/Lucas Family Foundation. Additional support provided by Matt Spick.
Lumumba : la mort du prophète (Lumumba: Death of a Prophet) by Raoul Peck (1990, 1h09, France / Germany / Switzerland / Belgium / Haiti)
Presented by The Film Foundation within the framework of the World Cinema Project. Restored by the The Film Foundation’s World Cinema Project and Cineteca di Bologna at L’Immagine Ritrovata/L’Image Retrouvée in collaboration with Velvet Film and supervised by Raoul Peck. Funding provided by the Hobson/Lucas Family Foundation. This restoration is part of the African Film Heritage Project, an initiative created by The Film Foundation’s World Cinema Project, the Pan African Federation of Filmmakers and UNESCO – in collaboration with Cineteca di Bologna – to help locate, restore, and disseminate African cinema.
Friendship’s Death by Peter Wollen (1987, 1h18, United Kingdom)
Presented by the British Film Institute (BFI). The 4K remastering by the BFI National Archive was from the original Standard 16mm colour negative. The soundtrack was digitised directly from the original 35mm final mix magnetic master track. The remastering was undertaken in collaboration with the film’s producer, Rebecca O’Brien and cinematographer, Witold Stok.
Bal poussière by Henri Duparc (1989, 1h33, Ivory Coast)
Presented by the CNC and the Henri Duparc Foundation. Restoration of the original 16mm negative image by the CNC laboratory. 2K scan. Color grading: Hiventy. Sound restoration from the original 16mm magnetic: L’Image retrouvée.
La Double vie de Véronique (The Double Life of Véronique) by Krzysztof Kieślowski (1991, 1h38, France / Poland)
Presented by MK2. Restoration carried out by Hiventy from the original negative in 4K, supervised by director of photography Sławomir Idziak. Theatrical distribution in France by Potemkine.
Vérités et mensonges (F for Fake) by Orson Welles (1973, 1h25, France/ Iran / Germany)
Presented by Les Films de L’Astrophore and La Cinémathèque française in collaboration with Documentaire sur grand écran. Restored by Les Films de L’Astrophore and La Cinémathèque française in collaboration with Documentaire sur grand écran, the Cinémathèque suisse and the Audiovisual institute of Monaco, with the support of Hiventy and the company foundation Neuflize OBC. Restoration work, image and sound made by the Hiventy laboratory, from the original negative and at L.E. Diapason Studio from the 35mm magnetic track.
Yashagaike (L’Étang du démon / Demon Pond) by Masahiro Shinoda (1979, 2h04, Japan)
Presented by Shochiku. Digital remaster by Shochiku Co., Ltd. For the 4K remaster, the original 35mm negative was provided by Shochiku, sound remastered by Shochiku MediaWorX Inc. and the image remaster conducted by Imagica Entertainment Media Services, Inc. French distribution in theaters: Carlotta Films.
La guerre est finie (The War is Over) by Alain Resnais (1966, 2h01, France)
Presented by Gaumont. First digital restoration in 4K presented by Gaumont with the support of the CNC. Restoration made by Éclair Classics laboratory.
Échec au porteur (Not Delivered) by Gilles Grangier (1957, 1h27, France)
Presented by Pathé. 4K scan and 2K restoration from the original safety negative (negative image, a standard dupe, a negative optical sound). Work made by L’Immagine Ritrovata laboratory (Paris-Bologne). Restoration with the support of the Centre national du cinéma et de l’image animée (CNC).
Chère Louise (Louise) by Philippe de Broca (1972, 1h45, France / Italy)
Presented by TF1 Studio. New 4K restored version by TF1 Studio and Warner Bros. from the original negative image. Digital work made by Vdm laboratory in 2021. Theatrical release to come: Les Acacias. Blu-ray collector release: Coin de Mire.
Napló gyermekeimnek (Journal intime / Diary for my children) by Márta Mészáros (1983, 1h49, Hungary)
Presented by National Film Institute Hungary – Film Archive. The 4K digital restoration was carried out as part of “The long-term restoration program of Hungarian film heritage” of the National Film Institute – Film Archive. The restoration was made using the original image negatives and magnetic tape sound, it was carried out at the National Film Institute- Filmlab. The Digital grading was supervised by Nyika Jancsó, DOP of the film.
Až přijde kocour (Un jour, un chat / The Cassandra Cat) by Vojtech Jasný (1963, 1h45, Czech Republic)
Presented by the Národní filmový archiv, Prague. 4K digital restoration based on the intermediate positive was done by L’Immagine Ritrovata laboratory in Bologna, 2021. The donors of this project were Mrs. Milada Kučerová and Mr. Eduard Kučera. Restored in partnership with the Karlovy Vary International Film Festival. French distribution: Malavida Films.
Monanieba (Le Repentir / Repentance) by Tenguiz Abouladzé (1984, 2h33, Georgia)
Presented by Georgian National Film Center. Interpositive: goskinofond. 4K scan and color grading: UPP Prague. Digital restoration, sound work and DCP: Studio Phonographe, Tbilissi. Funding: Georgian National Film Center.
Dan četrnaesti (Le Quatorzième jour / The Fourteenth Day) by Zdravko Velimirovic (1960, 1h41, Montenegro / Serbia)
Presented by Crnogorska kinoteka, Podgorica & Jugoslovenska kinoteka, Belgrade. Digitally restored film from a 2K scan of the original black & white negative.
Il cammino della speranza (Le Chemin de l’espérance / The Path of Hope) de Pietro Germi (1950, 1h45, Italy)
Presented by the Centro Sperimentale di Cinematografia – Cineteca Nazionale. Restored by Centro Sperimentale di Cinematografia – Cineteca Nazionale from the original 35mm negative made available by CristaldiFilm, completed by a dupe of the Cineteca Nazionale and optical sound of a positive by the Cineteca Nazionale.
Letter from an Unknown Woman (Lettre d’une inconnue) de Max Ophüls (1948, 1h27, États-Unis)
4k restoration from the original negative image and a 35mm positive. Sound restoration from the original negative. Work done by Technicolor for the image and Chace Audio by Deluxe for the sound, under the supervision of Paramount Pictures Preservation. Theatrical release by La Rabbia, february 2022.
Mulholland Drive by David Lynch (2001, 2h25, United-States)
Presented by Studiocanal. Restoration made by Criterion and Studiocanal from the original negative, scan in 4K at Fotokem, sound remastering from the original 5.1 sound. Sound and image were validated by David Lynch, in Cinéma and HDR format. French distribution by Studiocanal, with a theatrical release and a collector Blu-Ray UHD box set
