65mm film formats now have a slow-motion camera
Sep 5, 2024
For those who shoot on large format motion picture film, director-cinematographer Max Losito and camera and optics technician Luca Bonicalza have combined their expertise to develop two new 65mm high-speed cameras.
Kairos 360 and Kronos 720 are based on the Photo-Sonics 70mm cameras, the models used in the sixties for atomic tests in the South Pacific. The original cameras underwent a year-long conversion process to adapt them to 65mm. They are now tested and operational, with further improvements and optimisations planned in the coming months.
Both cameras feature special formats:
- Kairos has a frame size of 20.47 x 23.03 inches (52 x 58.5 mm) and three camera speeds: 90, 180, and 360 fps.
- Kronos has a frame size of 20.47 x 1.12 inches (52 x 28.5 mm) with speeds of 180, 360, and 720 fps.
“Working with Luca on this project is very stimulating,” says Max Losito. “With his experience and vision, he brings innovative ideas and extensive knowledge in the design of camera parts and optics. In his lab, Officina Cinematografica Goodsock® Vision, we have access to precise tools and instruments that are vital for this project.”
“Without Max’s experience with high-speed cameras and his deep knowledge of Photo-Sonics cameras, this conversion would never have been possible,” says Luca Bonicalza. “He is definitely the Photo-Sonics guru. Moreover, his facilities have been fundamental in running the cameras and shooting all the tests.”
The cameras are currently available to directors, DPs, and production companies interested in testing them at Losito International Films studio, which is fully equipped for high-speed and motion control shooting.
Multiple cameras are available for rent for high-speed and special effects productions worldwide, with facilities in both America and Europe.
Designed to excel where high quality and slow motion are required, these cameras will be perfect companions for IMAX, 5-perf 65mm, and 35mm VistaVision, as well as any digital large-format camera.
Comment / Laurence Johnson, sustainability manager, Film London