Motion Impossible, the UK-based company behind some of the film and television industry’s most advanced camera robotics and stabilisation solutions, will use this year’s BSC Expo to “show what a more open, joined-up approach to camera movement looks like in practice”.
Best known for AGITO, its Emmy Award-winning robotic camera dolly system, Motion Impossible has spent more than a decade building tools designed to remove friction from filmmaking.
“But the company’s focus goes beyond individual machines,” it revealed. “Increasingly, it is about improving the way productions work – where robotics, stabilised heads, cameras and lenses connect cleanly, and crews spend less time managing technology and more time making creative decisions.”
That thinking will be evident across Motion Impossible’s stand at BSC.
Rather than presenting isolated demos, the company is showcasing a “fully connected ecosystem” of working systems, developed in close collaboration with partners including FoMaSystems, Vislink, Vis-A-Vis, cmotion, Nodo, Chapman Leonard, RED, Fujinon and ARRI.
This includes:
- AGITO Gen 2 in MagTrax mode with FoMaSystems ANTARES 11”
- AGITO Gen 2 in Trax mode with Nodo Torq head
- AGITO Cine running in free-roaming and MagTrax modes, carrying a FoMaSystems ANTARES 12″ and sending a live wireless picture back to the stand via Vislink HCAM RF
- AGITO Cine (static) with Shotover M1 head
- V-Con Max (new), mounted on a motorbike and paired with a FoMaSystems ANTARES 12″
- Chapman Leonard dolly with FoMaSystems ANTARES 11”
AGITO Gen 2 is Motion Impossible’s latest evolution of its robotic dolly platform, bringing smarter control, quieter operation, greater durability and more flexible connectivity for modern production environments.
AGITO Cine builds on that foundation with a cinema-first focus, supporting heavier payloads and more complex camera builds while retaining the same control philosophy.
ANTARES offers performance comparable to established studio-grade stabilised heads such as ARRI’s EVO 360, but in a far more compact and contemporary design. That makes it particularly well suited to robotic and mobile platforms like AGITO, where size, weight and balance have a direct impact on usability and creative freedom.
Across the stand, systems will be running ARRI ALEXA Mini LF and RED V-RAPTOR X cameras, Fujinon zooms (14–100mm and 80–250mm), and powered via the cmotion Mainstation.
V-Con Max: Stability where it usually breaks down
Making its debut at BSC, V-Con Max is Motion Impossible’s new high-capacity vertical-axis stabiliser, designed to maintain image stability in motion where vibration, shock and uneven terrain would otherwise make it impossible.
Built for cinema-scale payloads, heavy stabilised heads and 360° camera arrays, V-Con Max supports payloads from 30–73.5kg in a compact, field-ready form.
Entirely mechanical and silent, it delivers 140mm of damped, tuneable vertical travel with no external power required.
Crucially, V-Con Max is platform-agnostic by design. It works independently of AGITO and integrates easily with ATVs, marine rigs, speed-rail structures and bespoke motion platforms alike.
By keeping the payload aligned on its vertical axis, rather than offset on an arm, it simplifies balancing, preserves a clean 360° field of view and reduces rig visibility for panoramic, VR and immersive capture.
Openness as a creative advantage
Across AGITO Gen 2, AGITO Cine and V-Con Max – together with partner systems on the stand – the emphasis is on practical integration.
Motion Impossible designs its technology to connect reliably across vendors and workflows, reducing technical complexity and uncertainty on set. See it in action at BSC Expo 2026 on stand F2.
