Kodak Motion Picture and Entertainment is celebrating twenty-five productions shot on film at Cannes Film Festival this year.
Four on-film titles will compete in Un Certain Regard with eleven of the twenty-three titles selected for Directors’ Fortnight also captured on film. And as testimony to the next generation of filmmakers’ commitment to analogue capture, four of the shot on film titles premiering at the festival this year were helmed by first time feature directors.
It’s been a strong year for productions shot on film, with 2022 Oscar recognition of shot on KODAK film titles including Don’t Look Up, Licorice Pizza, West Side Story, The Worst Person in the World, Spencer and No Time to Die.
“On behalf of the entire team at Kodak, congratulations to the motion picture artists whose exceptional work was selected to screen and compete at the 2022 Cannes Film Festival,” said Steve Bellamy, president of Kodak Motion Picture and Entertainment.
“Film capture continues to grow exponentially across the feature film, TV, music and commercial segments, as evidenced by the strong showing of on film titles across the Cannes festival this year. Kodak would like to extend a huge ‘thank you’ to the artists who evangelise and fight for the medium. There’s simply nothing as magical as the photochemical image and we are honored to help these auteurs realize their artistic visions on film.” said Bellamy.
The films shot on Kodak film and competing or screening as part of the Official Selection at the Cannes Film Festival 2022 between 17 – 28 May are:
Official Selection
Un Certain Regard
- Corsage – Marie Kreutzer (35mm)
- Godland – Hlynur Pálmason (35mm)
- Sick Of Myself – Kristoffer Borgli (35mm)
- Harka – Lotfy Nathan (35mm) 1st feature
Out of Competition
- Mascarade – Nicolas Bedos (35mm)
Premieres
- Don Juan – Serge Bozon (35mm)
- Le pupille (The Pupils) – Alice Rohrwacher (16mm/35mm)
Cannes Court Métrage
- Same Old – Lloyd Lee Choi (16mm)
- Cherries – Vytautas Katkus (16mm Ektachrome)
Directors’ Fortnight – Feature Films
- L’Envol (Scarlet) – Pietro Marcello (35mm)
- Les Années Super 8 (The Super 8 Years) – Annie Ernaux & David Ernaux-Briot (S8) 1st feature
- Les Cinq Diables (The Five Devils) – Léa Mysius (35mm)
- Enys Men – Mark Jenkin (16mm)
- Falcon Lake – Charlotte Le Bon (16mm) 1st feature
- Funny Pages – Owen Kline (16mm) 1st feature
- God’s Creatures – Anna Rose Holmer & Saela Davis (35mm)
- Un Beau Matin (One Fine Morning) – Mia Hansen-Løve (35mm)
- Le Parfum Vert (The Green Perfume) – Nicolas Pariser (35mm)
Directors’ Fortnight – Short Films
- Maria Schneider, 1983 – Elisabeth Subrin (16mm)
- Jitterbug – Ayo Akingbade (16mm)
Critics Week – Feature Films
- Aftersun – Charlotte Wells (35mm)
- When You Finish Saving the World – Jesse Eisenberg (16mm)
Critics Week – Short Films
- Hideous – Yann Gonzalez (35mm)
ACID – Feature Films
- Yamabuki – Juichiro Yamasaki (16mm)
- Magdala – Damien Manivel (16mm)
