BFI Film Academy celebrates 10 years of supporting young filmmakers
Sep 20, 2021
The BFI hosted a special event at BFI Southbank to celebrate the BFI Film Academy’s 10th anniversary and the next generation of talented filmmakers it has supported. The flagship education and skills programme offers young people from anywhere in the UK, and from any background, opportunities to work in an exploding industry that is calling out for new talent. Since it launched in 2012, almost 9,000 places have been taken up by young people who have put down strong foundations for a career in film and television production.
The event included an onstage conversation with Lucasfilm’s VP of Physical Production Candice Campos and BFI Chief Executive Ben Roberts, along with previous BFI Film Academy’s Future Skills trainees Ravi Ghelani and Cecily Bedner, who worked on Star Wars IX: The Rise of Skywalker and Andor respectively.
This year 53 Future Skills trainees have had paid work placements on three Lucasfilm productions: feature film Indiana Jones at Pinewood Studios, high-end TV series Willow, currently shooting in Wales, and Andor, also shooting at Pinewood Studios. The trainees are working across a variety of roles including lighting, sound, productions finance, video DIT, editing, props and production.
Also in conversation were BFI Film Academy alumni and Screen International Stars of Tomorrow editor Mdhamiri Á Nkemi (ear for eye, Blue Story and The Last Tree) who took part in 2013, and BAFTA-nominated writer-director Charlotte Regan (0121, Scrapper, No Ball Games, Oats & Barley), who also participated in a BFI Film Academy course in 2013. Broadcaster and Creative Director Gaylene Gould chaired the event.
The BFI Film Academy includes introductory hands-on filmmaking courses at 50 locations across the UK, enabling young people to build knowledge and skills and discover the different pathways into the industry. Working with a range of training providers, including the National Film and Television School, additional specialist residential courses bring young people together from across the UK to focus on areas such as documentary, animation, VFX, programming and craft skills. All graduates from the BFI Film Academy are supported through an alumni programme that includes access to BAFTA career surgeries and mentoring.
Since 2016, the BFI Future Skills Traineeship Programme, developed in partnership with Lucasfilm as a pilot scheme, has been directly tackling the lack of diversity in the sector by providing opportunities for BFI Film Academy alumni from under-represented groups and from across the UK who are placed in paid roles working with experienced and talented professionals. Trainees receive a bursary to support them with relocation and travel costs that could otherwise be a barrier to their participation on the programme. To date 136 Future Skills trainees have been placed on productions including Lucasfilm’s Solo: A Star Wars Story, Star Wars: The Rise of Skywalker, as well as Disney’s Black Widow and Cruella, and Eon’s 25th Bond film, No Time to Die (as part of the film’s dedicated trainee scheme).
Since completing the Future Skills programme 70% of the trainees have gone on to secure regular work on other productions and progress their careers on titles including Marvel Studios’ The Eternals and Doctor Strange, The King’s Man, Twist, Venom 2, Jurassic World 3, Blinded by the Light, Wonder Woman, Dumbo, Artemis Fowl, Bridgerton and Pennyworth series 2.
Actor Genevieve O’Reilly, who reprises her role as Mon Mothma from Rogue One in the Andor series, said in support of the BFI Future Skills Traineeship Programme: “Andor is such an exciting project to be a part of. I’m thrilled that the production, along with the BFI, are investing in opportunities to enable people from any background to work and gain experience in our industry.”
Candice Campos, VP, Physical Production at Lucasfilm, said of BFI Film Academy Future Skills Traineeship Programme: “The passion of BFI and Lucasfilm for creating talent in this industry has been the driving force behind the success of this programme, and will continue to be.”
Ben Roberts, BFI chief executive, said: “The Film Academy is the BFI’s flagship education and skills activity for young people. It’s so important to us as an organisation because it enables us to develop skills in young people at a time when the screen industries just continue to grow. We love to see the industry continuing to work with us to build more opportunities, such as Lucasfilm who worked with us to develop the Future Skills Traineeship Programme as the next stage for BFI Film Academy graduates, as well as the wider Disney family, and EON Productions for supporting trainees on the latest Bond No Time to Die. We want to make sure that the playing field is levelled for everybody who has passion and the commitment to work in film and TV production.”
BFI Film Academy also includes regular events for young people aged 16-25 online and at cinemas and other venues across the UK, as well as the annual BFI Future Film Festival.
The BFI Film Academy is supported by the Department for Education in England, The National Lottery, Screen Scotland and Northern Ireland Screen.
GUEST SPEAKERS:
Candice Campos (VP, PHYSICAL PRODUCTION, LUCASFILM)
Since joining the Lucasfilm team in 2014, Candice has overseen live action film production and was a co-producer on Star Wars: The Last Jedi. Prior to her role at Lucasfilm, Candice traveled the world working on a vast array of large-scale feature productions including War of the Worlds, Master and Commander, and Spider-Man.
Mdhamiri Á Nkemi (EDITOR)
Mdhamiri took part in the BFI Film Academy with Screen South in 2013 and later the BFI Film Academy specialist Craft Skills course, in partnership with the National Film and Television School (NFTS), where he specialised in editing.
Now an established editor, Mdhamiri has worked on films that have been Academy and BAFTA longlisted, BIFA winning (The Last Tree) and awarded (Blue Story: NME Best Film & Best Actor, The Devil’s Harmony: Sundance Jury Prize for Best International Short, Facing It: Animage Grand Prix & Audience Awards; Circle: IDA Student Documentary Award, CIFF Best Short). Mdhamiri edited ear for eye, directed by debbie tucker green, which will world premiere at BFI Southbank on 16 October and exclusively the same evening on BBC Two and BBC iPlayer.
Charlotte Regan (WRITER-DIRECTOR)
Charlotte attended the BFI Film Academy short course at BFI Southbank in 2013. She also won several awards at the BFI Future Film Festival.
Charlotte’s first short film Standby premiered at the Toronto International Film Festival (TIFF) and went on to be nominated for a BAFTA and win a Sundance Award and her second short Fry-Up screened at the BFI London Film Festival (LFF), Sundance and Berlinale. Her third short Dodgy Dave played at TIFF and BFI LFF. Charlotte has just finished shooting her first feature Scrapper which was supported by the BBC and BFI.
Ravi Ghelani (DIRECTOR’S ASSISTANT)
Ravi is a filmmaker from Leicester who took part in the BFI Film Academy short course with Broadway Cinema and the Craft Skills Specialist course in partnership with the NFTS. In 2018, he took part in the BFI Future Skills programme where we worked as a Camera Trainee on Star Wars IX: The Rise of Skywalker.
Since then, he has continued to work on various productions, including Aquaman and the Lost Kingdom, and most recently working as the Director’s Assistant for an upcoming high-end TV series.
Cecily Bedner (CAMERA TRAINEE)
Cecily is a moving image practitioner and camera trainee from Plymouth. She took part in the BFI Film Academy Animation and VFX specialist course in partnership with Film and Video Workshop in 2016. Cicely participated in this year’s BFI Future Skills programme as a Camera Trainee on the upcoming TV series Andor with Lucasfilm.
Cecily is now working in her second Camera Trainee role on another Disney feature film production, aspiring to become a 1st AC (Assistant Camera).
Comment / April Sotomayor, head of industry sustainability, BAFTA Albert