Get a first look at the March/April 2025 edition of British Cinematographer
The sun is shining, the sky is blue, it’s beautiful – and so is this issue! As the industry springs forward, the March/April edition of British Cinematographer is in full bloom, capturing the vibrant essence of our ever-evolving craft. This issue is bursting with fresh insights, spotlighting the latest trends, cutting-edge techniques, and in-depth explorations of cinematographic artistry. Join us as we sow the seeds of creativity and celebrate the achievements shaping 2025. Here’s a sneak peek of what’s blossoming inside:
CAMERA CREATIVE: MATTHEW LEWIS ON ADOLESCENCE
Precise planning, technical expertise and adept camera operating and performance allowed cast and crew to be completely in synch for unflinching one-shot series Adolescence. Cinematographer Matthew Lewis, talented crew along with director Philip Barantini, creator-co-writer-actor Stephen Graham and co-writer Jack Thorne share how they achieved the one-shot wonder.
SUZIE LAVELLE BSC ISC ON BRIDGET JONES: MAD ABOUT THE BOY
Bridget Jones gets a cinematic refresh with Suzie Lavelle BSC ISC’s masterful cinematography, blending natural lighting, vintage lenses and grounded visuals for a glowing new chapter.
MANDY WALKER AM ASC ACS ON SNOW WHITE
Mirror, mirror on the wall: Disney reimagines Snow White in live action, with Mandy Walker AM ASC ACS balancing legacy, modern vision and innovative forest lighting techniques.
PHEDON PAPAMICHAEL ASC GSC GCA AND JAMES MANGOLD ON A COMPLETE UNKNOWN
Known for immersive stories like Walk the Line, Phedon Papamichael ASC GSC GCA and James Mangold explore Bob Dylan’s early career.
LENNERT HILLEGE NSC ON SANTOSH
Learn about the intense heat and travel challenges faced during the making of the Indian hit movie Santosh.
KIM JI-YONG ON SQUID GAME
Squid Game captivates globally. Cinematographer Kim Ji-yong shares lighting challenges, cinematic techniques, and his proudest moments from season two.
MASTERCLASS: STUART BENTLEY BSC ON WE LIVE IN TIME
Stuart Bentley BSC shares how his minimalist approach to lighting and camerawork in We Live in Time created an environment that allowed for authentic and powerful performances from the cast.
MASTERCLASS: ANNIKA SUMMERSON BSC ON LUDWIG
Annika Summerson BSC unveils her unique visual approach for the genre-blending detective-comedy Ludwig, featuring Supertechno 75 Plus crane shots, striking anamorphic visuals and carefully composed comedic framing.
MEET THE NEW FULL AND ASSOCIATE BSC MEMBERS
Following the announcement of the latest cohort of Full and Associate BSC members, find out about the talented DPs and camera operators who have been invited to join the society.
MEET THE NEW WAVE
Explore the path of Matthew Lewis, from creating mountain biking videos to acclaimed works like Boiling Point and Adolescence, and how he’s shaped his unique cinematic approach.
THE BIGGER PICTURE: AI
The discussion around AI has moved beyond its applications to focus on the limits of its capabilities and its potential to shape the future of filmmaking.
OSCAR, BAFTA, BSC AND ASC AWARDS REVIEWS
With awards season in full swing, our stateside correspondent Mark London Williams covers the ceremonies hosted by the Academy, ASC, and Independent Spirit. We also catch up on the BAFTA Film Awards highlights with our round-up of the big winners and key moments backstage and round-up the BSC Awards, featuring the top winners and standout cinematography.
EVENT REVIEW: BSC EXPO 2025
Catch the highlights from BSC Expo 2025, featuring cutting-edge cinematography technology, industry trends, and expert insights from leading filmmakers and equipment innovators.
HERE’S WHAT ELSE YOU’LL FIND IN THE LATEST ISSUE…
PRESIDENT’S PERSPECTIVE
Christopher Ross BSC reflects on an exceptional awards season and delves into Lol Crawley BSC’s distinctive visual style, from the indie film Better Things to the Oscar-winning The Brutalist.
BSC HERITAGE SERIES
Dive into the legacy of Jack Cardiff OBE BSC, a Technicolor master whose cinematographic genius influenced timeless classics such as The Red Shoes, Black Narcissus, and A Matter of Life and Death.
CARL HERSE ON THE FRANCHISE
The Franchise reveals the chaos behind a superhero film series. Cinematographer Carl Herse shares insights on its unique approach.
MASTERCLASS: OLAN COLLARDY ON LAST SWIM
Careful kit selection, control over the frame and being reactive to the performances allowed Olan Collardy to produce Last Swim’s dreamy yet grounded look and feel.
MASTERCLASS: AZUL SERRA ABC ON SENNA
Azul Serra ABC, co-DP of Senna, reflects on capturing the critical 1984 Monaco race of the late Formula 1 driver Ayrton Senna, skilfully blending real footage, volume-filmed sequences, visual effects and archival material to create a compelling visual story.
AMERICAN FILM MARKET REVIEW
The American Film Market brought together the industry to explore the future of filmmaking and foster creative connections.
TECH-NIQUE: ROBOTICS
Explore how robotic camera systems offer unparalleled precision, allowing filmmakers to get closer to subjects than ever before—whether remotely operated or pre-programmed.
GBCT NEWS
Despite challenges in 2023, the UK film and TV industry remained optimistic with new leadership fuelling hopes for a stronger 2024.
IMAGO NEWS
The IMAGO D&I Committee highlights initiatives from India and Hungary supporting female cinematographers in advancing their careers.
LETTER FROM AMERICA
Steven Poster ASC examines the use of the title cinematographer vs director of photography.
SHOOTING SUMMARY
An overview of who’s been filming what and where.
SET TO POST
A dedicated section spotlighting the latest trends in post-production, dailies, colour grading and more.
Digital and Print & Digital Subscribers can read our 128th edition now by clicking here.
Print subscribers* will receive their copies in the post within the next fortnight.
Not a subscriber yet? Don’t worry – you can get your annual subscription now from just £30 ($39) by clicking here.
*Issue 128 will only be received in printed format by those with an active ‘Print’ or ‘Print & Digital’ subscription purchased before 1st April 2025. Any new ‘Print’ or ‘Print & Digital’ subscription purchases made from 1st April 2025 onwards will NOT receive this issue in print as part of their purchase.
