Take a sneak peek inside the July/August 2025 edition of British Cinematographer

Introducing the July/August 2025 edition of British Cinematographer 

Looking for quality reading material for your well-deserved summer break? Welcome to the July/August edition of British Cinematographer! This issue is packed with fresh perspectives, the latest trends, exciting new technology and productions inspired by powerful stories—both fact and fiction. Curious to learn more? Please, read on…

CAMERA CREATIVE: ANTHONY DOD MANTLE ASC BSC DFF ON 28 YEARS LATER  

Danny Boyle and longtime collaborator Anthony Dod Mantle ASC BSC DFF reunite for 28 Years Later, a post-apocalyptic coming-of-age horror film. This marks the third instalment in the film series, following 28 Days Later (2002) and 28 Weeks Later (2007).

FRASER TAGGART ON  MISSION: IMPOSSIBLE – THE FINAL RECKONING  

Fraser Taggart reveals how he achieved stunning cinematography both in the air and underwater.

JOHN MATHIESON BSC ON JURASSIC WORLD REBIRTH  

John Mathieson BSC reveals how he harnessed Kodak 35mm film to evoke nostalgic adventure in Jurassic World Rebirth, while overcoming the heat and humidity of the Thai jungle and the challenging conditions in Malta.

HÉLÈNE LOUVART AFC ON  THE SALT PATH  

Braving the unpredictable English summer, Hélène Louvart AFC explains how she used the weather and natural light to enhance this powerful story about a husband and wife thrust into homelessness.

MIA CIOFFI HENRY ON  SORRY, BABY  

The DP on Eva Victor’s acclaimed comedy-drama Sorry, Baby explains how she shot the film that will open the Edinburgh International Film Festival.

BILL POPE ASC ON  HOW TO TRAIN YOUR DRAGON  

Veteran Bill Pope ASC explains the distinct cinematographic approach taken for the live-action adaptation of How to Train Your Dragon.  

SUNSHINE HSIEN YU NIU ON  ROCK, PAPER, SCISSORS  

Sunshine Hsien Yu Niu chose a handheld style for her award-winning NFTS graduate film, which is inspired by a true story.

TWO SHOT: NICOLA DALEY BSC ACS AND ELISABETH MOSS  

An artistic union flourished between Nicola Daley BSC ACS and actor-director-executive producer Elisabeth Moss while shooting season five and six of The Handmaid’s Tale. 

VISIONARY: DION BEEBE ASC ACS 

From Brisbane to Hollywood, Dion Beebe ASC ACS has forged an impressive career marked by bold innovation. His collaborations with pioneering female directors have earned him an Oscar and critical acclaim.

BSC HERITAGE: BILLY WILLIAMS OBE BSC 

Explore the extraordinary life and enduring contributions of the late Billy Williams OBE BSC, whose work left a profound mark on cinematography.

MEET THE NEW WAVE: JON MUSCHAMP 

Jon Muschamp takes us through his evolution from shooting skateboarding videos to directing acclaimed feature films, sharing insights into his creative process, overcoming obstacles and the inspirations fuelling his unique cinematic style.

IN THE FRAME: ILANA GARRARD ACO ASSOC. BSC 

Guided by top cinematographers, Ilana Garrard ACO Assoc. BSC honed her craft through mentorship and collaborative projects that helped shape her growing artistry.

INNOVATOR: CHRIS LYNCH 

Chris Lynch breaks new ground with Caerus, the world’s pioneering wheelchair-mounted camera system, opening doors for disabled filmmakers and transforming creative potential throughout the industry.

INDUSTRY WIDE SHOT: AERIAL 

Leading aerial cinematographers and service providers share insights on the current state of the industry, exploring its challenges, opportunities, and future outlook.

HERE’S WHAT ELSE YOU’LL FIND IN THE LATEST ISSUE…

PRESIDENT’S PERSPECTIVE 
Filmmakers may embrace new tools, but their mission remains unchanged, says Christopher Ross BSC: to transform emotion into imagery and continually seek fresh ways of seeing that draw audiences closer to the story.

GBCT NEWS  
The industry mourns the loss of Tim Potter GBCT, a gifted and generous cinematographer whose professionalism and warmth left a lasting impact on colleagues and friends.

IMAGO NEWS  
Mustapha Barat ABC, president of IMAGO, reports on the federation’s inaugural General Assembly for Brazil and the Americas—an inspiring event held in a stunning setting, where a relaxed environment fostered lively creative exchanges.

EVENT REVIEWS: CINE GEAR, CANNES AND SFFA 
Event reports from Los Angeles on Cine Gear’s return to Universal Studios after 20 years, while Cannes dazzled with bold premieres and the Sony Future Filmmaker Awards celebrated emerging talent in Culver City.

MASTERCLASS: DUNE: PROPHECY 
Pierre Gill CSC reveals how he balances grand, sweeping visuals with intimate emotional moments in Dune: Prophecy. Using carefully crafted lighting, anamorphic lenses, and close teamwork, he brings the film’s story vividly to life.

LETTER FROM AMERICA  
At Universal Studios’ Cine Gear, over 13,000 attendees gathered, energising the community. Steven Poster ASC reflects on how building trust within a crew is essential to every successful filmmaking journey.

SET TO POST  
Post-production is undergoing a breathtaking transformation—from colour grading to cutting-edge VFX, industry leaders are not just shaping the look and sound of today’s films—they are forging the future of visual storytelling itself.

Digital and Print & Digital Subscribers can read our 130th edition now by clicking here.

Print subscribers* will receive their copies in the post within the next fortnight.

Not a subscriber yet? Don’t worry – you can get your annual subscription now from just £30 ($39) by clicking here.

*Issue 130 will only be received in printed format by those with an active ‘Print’ or ‘Print & Digital’ subscription purchased before 14th July 2025. Any new ‘Print’ or ‘Print & Digital’ subscription purchases made from 14th July 2025 onwards will NOT receive this issue in print as part of their purchase.