![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/09\/2571_FP_00623B-1024x428.jpg\")
\n Camera Creative\n Dan Mindel ASC BSC SASC’s experience making action-packed movies combined with Chung’s aptitude for seamlessly blending dialogue into the mix helped them capture the perfect storm.<\/p>\n<\/a>\n\t\n \t![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/09\/TheSubstance_Still_03-BSC-2-1024x429.jpg\")
\n Masterclass\n
Benjamin Kra\u010dun BSC \/ The Substance<\/em><\/a><\/h3>\n \tBenjamin Kra\u010dun BSC reveals the approach he adopted when shooting The Substance, working with prosthetics and practical effects to realise director Coralie Fargeat’s vision for the body horror.\u00a0<\/p>\n<\/a>\n\t\n \t![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/09\/SingSing_ColmanDomingo_DominicLeon_0049_RC-758x578.jpg\")
\n Behind the Scenes\n
Pat Scola \/ Sing Sing<\/em><\/a><\/h3>\n \tCinematographer Pat Scola’s Sing Sing employs Super 16mm film, vintage lenses, and natural light to authentically capture the emotional depths and stark realities of prison life.\u00a0<\/p>\n<\/a>\n\t\n \t![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/09\/PDX-FF-003612-1024x425.jpg\")
\n Behind the Scenes\n
James Friend ASC BSC and Chris Teague \/ The Acolyte<\/em><\/a><\/h3>\n \tJames Friend ASC BSC and Chris Teague, lifelong Star Wars fans, expertly crafted the stunning visuals of\u202fThe Acolyte, the latest instalment in the saga. They unveil the secrets behind the series’ breathtaking cinematography.\u00a0<\/p>\n<\/a>\n\t\n \t![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/08\/BC125-Preview-Image-809x578.png\")
\n New Issue!\n
Take a sneak peek inside the September\/October 2024 issue of British Cinematographer<\/a><\/h3>\n \t
The September\/October issue of\u00a0British Cinematographer\u00a0is now here! Find out more about just some of the interviews and articles you can expect to find inside our latest\u00a0edition.<\/p>\n<\/a>\n\t\n \t![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/08\/Kneecap-Still1-H-2024-1024x578.webp\")
\n Behind the Scenes\n
Ryan Kernaghan ISC \/ Kneecap<\/em><\/a><\/h3>\n \tHow do you capture the story of a West Belfast-born hip-hop trio whose Irish imbued lyrics are as bombastic and outrageous as their origin story?<\/p>\n<\/a>\n\t\n \t![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/08\/Supacell_n_S1_E1_00_45_51_16-1024x512.png\")
\n Behind the Scenes\n
Aaron Reid \/ Supacell<\/em><\/a><\/h3>\n \tCinematographer Aaron Reid grounds a new breed of superhero in south London.<\/p>\n<\/a>\n\t\n \t![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/07\/rev-1-FUR-TRL-012_High_Res_JPEG-1024x552.jpeg\")
\n Camera Creative\n
Simon Duggan ASC ACS \/ Furiosa<\/em><\/a><\/h3>\n \tFuriosa: A Mad Max Saga is a prequel to Fury Road, exploring Furiosa’s abduction and revenge, with Simon Duggan succeeding John Seale as cinematographer.\u00a0<\/p>\n<\/a>\n\t\n \t![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/07\/AND_20221108-00379-867x578.jpg\")
\n Behind the Scenes\n
Robbie Ryan BSC ISC \/ Kinds of Kindness<\/em><\/a><\/h3>\n \tShooting a multi-story narrative consecutively and maintaining a consistent visual style was at the centre of Robbie Ryan BSC ISC’s process when crafting triptych tale Kinds of Kindness alongside Yorgos Lanthimos.\u00a0<\/p>\n<\/a>\n\t\t\n\t<\/ins>\n
\n\t\tLatest news\n\t<\/h2>\n\t\n ![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/10\/Award_Night_Mood_Guests_AN_Opernhaus_alt_Pascal_Bovey_for_ZFF_93cd4e824c-768x600.jpg\")
<\/a>\n On Becoming a Guinea Fowl<\/em> and Black Box Diaries<\/em> win Golden Eyes<\/a><\/h4>\n Oct 14, 2024\t\n\t\n ![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/10\/Fraggle_Rock_Photo_020102-768x600.jpg\")
<\/a>\n Gavin Smith CSC captures Fraggle Rock: Back to the Rock!<\/em> S2 with ZEISS Supreme Primes & ARRI Mini LF<\/a><\/h4>\n Oct 14, 2024\t\n\t\n ![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/10\/Soc-3-1980.f1cb27a519bdb5b6ed34049a5b86e317-1-768x600-1-768x600.jpg\")
<\/a>\n Submissions now open for Society of Camera Operators Awards<\/a><\/h4>\n Oct 14, 2024\t\n\t\n ![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/10\/SG_Assorted_05-768x600.jpg\")
<\/a>\n New Tiffen Soft Glow, Black Soft Glow & Golden Glow filters released<\/a><\/h4>\n Oct 14, 2024\t\n\t\n ![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/10\/tmp6708d5c11fcd91-768x600.jpg\")
<\/a>\n EnergaCAMERIMAGE reveal 2024 Documentary Shorts competition<\/a><\/h4>\n Oct 11, 2024\t\n\t\n ![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/10\/white_bird_wbird_unit_22170rc_rgb-768x600.jpg\")
<\/a>\n Matthias K\u00f6nigswieser AAC on White Bird: A Wonder Story<\/em><\/a><\/h4>\n Oct 11, 2024\t\n\t\n ![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/10\/vlcsnap-2024-07-08-14h07m09s356-768x600.jpg\")
<\/a>\n VFX studio REALTIME launches virtual production arm<\/a><\/h4>\n Oct 10, 2024\t\n\t\n ![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2023\/05\/BFI-Southbank-c-Edmund-Sumner-768x600.jpg\")
<\/a>\n UK’s film sector handed jobs and growth boost by tax reliefs<\/a><\/h4>\n Oct 10, 2024\t\n\t\n ![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/10\/0_Screenshot-2024-02-12-at-083925-1JPG-768x600.jpg\")
<\/a>\n Wicked<\/em> to close EnergaCAMERIMAGE 2024<\/a><\/h4>\n Oct 10, 2024\t\n\t\n ![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/10\/1080x-1080-Coco-Double-2-768x600.jpg\")
<\/a>\n bebob introduces new adapter for dual B-Mount power<\/a><\/h4>\n Oct 10, 2024\t\n\t\t\n\t\t\t\n\t\t\t\t\t\t\tView more news\n\t\t\t\t\t<\/a>\n\t<\/ins>\n
\n
\n\n<\/ins>\n\n\t- BSC Expo panel | The new generation<\/a>
![\"BSC](\"https:\/\/bcineplayer.com\/wp-content\/uploads\/2025\/03\/Screenshot-2025-03-07-at-10.41.57.jpg\")
<\/a><\/div><\/li><\/ul><\/div>\n\t\t\t\t\n\t\t\t\t![\"BCinePlayer](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2019\/09\/BCinePlayer-on-Black-1024x230.jpg\" "\\"BCinePlayer")
\n\t\t\t\t<\/a>\n\t\t\t\n\t\t\t\t\t\t\tView more videos\n\t\t\t\t\t<\/a>\n\n\t\tFeatures\n\t<\/h2>\n\t\tAll\n\t\n\t\t- All<\/li>
- Behind the Scenes<\/li>
- BSC Heritage Series<\/li>
- Camera Creative<\/li>
- Cinematic Classic<\/li>
- Commercial Break<\/li>
- Event Previews and Reports<\/li>
- In Focus<\/li>
- In the Frame<\/li>
- Industry Wide Shot<\/li>
- Innovator<\/li>
- Masterclass<\/li>
- Music In Motion<\/li>
- New Wave<\/li>
- Opinion<\/li>
- Production Profiles<\/li>
- Set To Post<\/li>
- Special Reports<\/li>
- Tech-nique<\/li>
- The Bigger Picture<\/li>
- The Craft<\/li>
- Train to Gain<\/li>
- Visionary<\/li>\t<\/ul>\n\t\n
![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/10\/LOVERMAN-768x600.jpg\")
<\/a>\n Remi Adefarasin OBE BSC \/ Mr Loverman<\/em><\/a><\/h4>\n \t\t Behind the Scenes\n\t\n ![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/10\/Eric_LimitedSeries_FirstLook_Image6.jpgEric_LimitedSeries_FirstLook_Image6-768x600.jpg\")
<\/a>\n Benedict Spence BSC\u00a0\/ Eric<\/em><\/a><\/h4>\n Masterclass\n\t\n ![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/10\/1678468568447-768x536.png\")
<\/a>\n Richard Bazley on Confines<\/em> and mental health<\/a><\/h4>\n Point of View\n\t\n ![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/10\/Good-One-still-2-768x600.jpg\")
<\/a>\n Wilson Cameron \/ Good One<\/em><\/a><\/h4>\n Behind the Scenes\n\t\n ![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/10\/Krasker-Reed-1-768x600.jpeg\")
<\/a>\n Robert Krasker BSC \/ The Third Man<\/em><\/a><\/h4>\n Cinematic Classic\n\t\n ![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/10\/Girls-State-3-768x600.jpeg\")
<\/a>\n Brighter days ahead<\/a><\/h4>\n Across the Pond\n\t\n ![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/09\/2571_FP_00623B-768x600.jpg\")
<\/a>\n Dan Mindel ASC BSC SASC \/ Twisters<\/em><\/a><\/h4>\n Camera Creative\n\t\n ![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/09\/TheSubstance_Still_03-BSC-2-768x600.jpg\")
<\/a>\n Benjamin Kra\u010dun BSC \/ The Substance<\/em><\/a><\/h4>\n Masterclass\n\t\n ![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/09\/SingSing_ColmanDomingo_DominicLeon_0049_RC-768x600.jpg\")
<\/a>\n Pat Scola \/ Sing Sing<\/em><\/a><\/h4>\n Behind the Scenes\n\t\n ![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/09\/32-768x600.jpg\")
<\/a>\n Simon Rowling \/ Duchess<\/em><\/a><\/h4>\n Behind the Scenes\n\t\n ![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/09\/P1002959-768x600.jpg\")
<\/a>\n Preserving rural filmmaking\u00a0<\/a><\/h4>\n Point of View\n\t\n ![\"\"](\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/09\/BRIDGERTON_307_Unit_04594R-768x600.jpg\")
<\/a>\n Jeffrey Jur ASC, Alicia Robbins, Diana Olifirova \/ Bridgerton<\/em> S3<\/a><\/h4>\n Behind the Scenes\n\t\t\n\t\t\t\n\t\t\t\t\t\t\tView more features\n\t\t\t\t\t<\/a>\n\n","protected":false},"excerpt":{"rendered":"Camera Creative Dan Mindel ASC BSC SASC \/ Twisters Dan Mindel ASC BSC SASC’s experience making action-packed movies combined with Chung’s aptitude for seamlessly blending dialogue into the mix helped them capture the perfect storm. Masterclass Benjamin Kra\u010dun BSC \/ The Substance Benjamin Kra\u010dun BSC reveals the approach he adopted when shooting The Substance, working … Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-13633","page","type-page","status-publish"],"acf":[],"yoast_head":"\nBritish Cinematographer Magazine<\/title>\n<meta name=\"description\" content=\"Camera Creative Dan Mindel ASC BSC SASC \/ Twisters Dan Mindel ASC BSC SASC's experience making action-packed movies combined with Chung's aptitude for\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/britishcinematographer.co.uk\/home\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" 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\n Behind the Scenes\n Cinematographer Pat Scola’s Sing Sing employs Super 16mm film, vintage lenses, and natural light to authentically capture the emotional depths and stark realities of prison life.\u00a0<\/p>\n<\/a>\n\t\n \t\n Behind the Scenes\n
James Friend ASC BSC and Chris Teague \/ The Acolyte<\/em><\/a><\/h3>\n \tJames Friend ASC BSC and Chris Teague, lifelong Star Wars fans, expertly crafted the stunning visuals of\u202fThe Acolyte, the latest instalment in the saga. They unveil the secrets behind the series’ breathtaking cinematography.\u00a0<\/p>\n<\/a>\n\t\n \t\n New Issue!\n
Take a sneak peek inside the September\/October 2024 issue of British Cinematographer<\/a><\/h3>\n \t
The September\/October issue of\u00a0British Cinematographer\u00a0is now here! Find out more about just some of the interviews and articles you can expect to find inside our latest\u00a0edition.<\/p>\n<\/a>\n\t\n \t\n Behind the Scenes\n
\n New Issue!\n \n Behind the Scenes\n Ryan Kernaghan ISC \/ Kneecap<\/em><\/a><\/h3>\n \tHow do you capture the story of a West Belfast-born hip-hop trio whose Irish imbued lyrics are as bombastic and outrageous as their origin story?<\/p>\n<\/a>\n\t\n \t\n Behind the Scenes\n
Aaron Reid \/ Supacell<\/em><\/a><\/h3>\n \tCinematographer Aaron Reid grounds a new breed of superhero in south London.<\/p>\n<\/a>\n\t\n \t\n Camera Creative\n
Simon Duggan ASC ACS \/ Furiosa<\/em><\/a><\/h3>\n \tFuriosa: A Mad Max Saga is a prequel to Fury Road, exploring Furiosa’s abduction and revenge, with Simon Duggan succeeding John Seale as cinematographer.\u00a0<\/p>\n<\/a>\n\t\n \t\n Behind the Scenes\n
Robbie Ryan BSC ISC \/ Kinds of Kindness<\/em><\/a><\/h3>\n \tShooting a multi-story narrative consecutively and maintaining a consistent visual style was at the centre of Robbie Ryan BSC ISC’s process when crafting triptych tale Kinds of Kindness alongside Yorgos Lanthimos.\u00a0<\/p>\n<\/a>\n\t\t\n\t<\/ins>\n
\n\t\tLatest news\n\t<\/h2>\n\t\n <\/a>\n On Becoming a Guinea Fowl<\/em> and Black Box Diaries<\/em> win Golden Eyes<\/a><\/h4>\n Oct 14, 2024\t\n\t\n <\/a>\n Gavin Smith CSC captures Fraggle Rock: Back to the Rock!<\/em> S2 with ZEISS Supreme Primes & ARRI Mini LF<\/a><\/h4>\n Oct 14, 2024\t\n\t\n <\/a>\n Submissions now open for Society of Camera Operators Awards<\/a><\/h4>\n Oct 14, 2024\t\n\t\n <\/a>\n New Tiffen Soft Glow, Black Soft Glow & Golden Glow filters released<\/a><\/h4>\n Oct 14, 2024\t\n\t\n <\/a>\n EnergaCAMERIMAGE reveal 2024 Documentary Shorts competition<\/a><\/h4>\n Oct 11, 2024\t\n\t\n <\/a>\n Matthias K\u00f6nigswieser AAC on White Bird: A Wonder Story<\/em><\/a><\/h4>\n Oct 11, 2024\t\n\t\n <\/a>\n VFX studio REALTIME launches virtual production arm<\/a><\/h4>\n Oct 10, 2024\t\n\t\n <\/a>\n UK’s film sector handed jobs and growth boost by tax reliefs<\/a><\/h4>\n Oct 10, 2024\t\n\t\n <\/a>\n Wicked<\/em> to close EnergaCAMERIMAGE 2024<\/a><\/h4>\n Oct 10, 2024\t\n\t\n <\/a>\n bebob introduces new adapter for dual B-Mount power<\/a><\/h4>\n Oct 10, 2024\t\n\t\t\n\t\t\t\n\t\t\t\t\t\t\tView more news\n\t\t\t\t\t<\/a>\n\t<\/ins>\n
\n
\n\n<\/ins>\n\n\t- BSC Expo panel | The new generation<\/a><\/a><\/div><\/li><\/ul><\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<\/a>\n\t\t\t\n\t\t\t\t\t\t\tView more videos\n\t\t\t\t\t<\/a>\n
\n\t\tFeatures\n\t<\/h2>\n\t\tAll\n\t\n\t\t- All<\/li>
- Behind the Scenes<\/li>
- BSC Heritage Series<\/li>
- Camera Creative<\/li>
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- In the Frame<\/li>
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- New Wave<\/li>
- Opinion<\/li>
- Production Profiles<\/li>
- Set To Post<\/li>
- Special Reports<\/li>
- Tech-nique<\/li>
- The Bigger Picture<\/li>
- The Craft<\/li>
- Train to Gain<\/li>
- Visionary<\/li>\t<\/ul>\n\t\n <\/a>\n
Remi Adefarasin OBE BSC \/ Mr Loverman<\/em><\/a><\/h4>\n \t\t Behind the Scenes\n\t\n <\/a>\n Benedict Spence BSC\u00a0\/ Eric<\/em><\/a><\/h4>\n Masterclass\n\t\n <\/a>\n Richard Bazley on Confines<\/em> and mental health<\/a><\/h4>\n Point of View\n\t\n <\/a>\n Wilson Cameron \/ Good One<\/em><\/a><\/h4>\n Behind the Scenes\n\t\n <\/a>\n Robert Krasker BSC \/ The Third Man<\/em><\/a><\/h4>\n Cinematic Classic\n\t\n <\/a>\n Brighter days ahead<\/a><\/h4>\n Across the Pond\n\t\n <\/a>\n Dan Mindel ASC BSC SASC \/ Twisters<\/em><\/a><\/h4>\n Camera Creative\n\t\n <\/a>\n Benjamin Kra\u010dun BSC \/ The Substance<\/em><\/a><\/h4>\n Masterclass\n\t\n <\/a>\n Pat Scola \/ Sing Sing<\/em><\/a><\/h4>\n Behind the Scenes\n\t\n <\/a>\n Simon Rowling \/ Duchess<\/em><\/a><\/h4>\n Behind the Scenes\n\t\n <\/a>\n Preserving rural filmmaking\u00a0<\/a><\/h4>\n Point of View\n\t\n <\/a>\n Jeffrey Jur ASC, Alicia Robbins, Diana Olifirova \/ Bridgerton<\/em> S3<\/a><\/h4>\n Behind the Scenes\n\t\t\n\t\t\t\n\t\t\t\t\t\t\tView more features\n\t\t\t\t\t<\/a>\n\n","protected":false},"excerpt":{"rendered":"Camera Creative Dan Mindel ASC BSC SASC \/ Twisters Dan Mindel ASC BSC SASC’s experience making action-packed movies combined with Chung’s aptitude for seamlessly blending dialogue into the mix helped them capture the perfect storm. Masterclass Benjamin Kra\u010dun BSC \/ The Substance Benjamin Kra\u010dun BSC reveals the approach he adopted when shooting The Substance, working … Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-13633","page","type-page","status-publish"],"acf":[],"yoast_head":"\nBritish Cinematographer Magazine<\/title>\n<meta name=\"description\" content=\"Camera Creative Dan Mindel ASC BSC SASC \/ Twisters Dan Mindel ASC BSC SASC's experience making action-packed movies combined with Chung's aptitude for\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/britishcinematographer.co.uk\/home\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" 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\n Behind the Scenes\n Cinematographer Aaron Reid grounds a new breed of superhero in south London.<\/p>\n<\/a>\n\t\n \t\n Camera Creative\n
Simon Duggan ASC ACS \/ Furiosa<\/em><\/a><\/h3>\n \tFuriosa: A Mad Max Saga is a prequel to Fury Road, exploring Furiosa’s abduction and revenge, with Simon Duggan succeeding John Seale as cinematographer.\u00a0<\/p>\n<\/a>\n\t\n \t\n Behind the Scenes\n
Robbie Ryan BSC ISC \/ Kinds of Kindness<\/em><\/a><\/h3>\n \tShooting a multi-story narrative consecutively and maintaining a consistent visual style was at the centre of Robbie Ryan BSC ISC’s process when crafting triptych tale Kinds of Kindness alongside Yorgos Lanthimos.\u00a0<\/p>\n<\/a>\n\t\t\n\t<\/ins>\n
\n\t\tLatest news\n\t<\/h2>\n\t\n <\/a>\n On Becoming a Guinea Fowl<\/em> and Black Box Diaries<\/em> win Golden Eyes<\/a><\/h4>\n Oct 14, 2024\t\n\t\n <\/a>\n Gavin Smith CSC captures Fraggle Rock: Back to the Rock!<\/em> S2 with ZEISS Supreme Primes & ARRI Mini LF<\/a><\/h4>\n Oct 14, 2024\t\n\t\n <\/a>\n Submissions now open for Society of Camera Operators Awards<\/a><\/h4>\n Oct 14, 2024\t\n\t\n <\/a>\n New Tiffen Soft Glow, Black Soft Glow & Golden Glow filters released<\/a><\/h4>\n Oct 14, 2024\t\n\t\n <\/a>\n EnergaCAMERIMAGE reveal 2024 Documentary Shorts competition<\/a><\/h4>\n Oct 11, 2024\t\n\t\n <\/a>\n Matthias K\u00f6nigswieser AAC on White Bird: A Wonder Story<\/em><\/a><\/h4>\n Oct 11, 2024\t\n\t\n <\/a>\n VFX studio REALTIME launches virtual production arm<\/a><\/h4>\n Oct 10, 2024\t\n\t\n <\/a>\n UK’s film sector handed jobs and growth boost by tax reliefs<\/a><\/h4>\n Oct 10, 2024\t\n\t\n <\/a>\n Wicked<\/em> to close EnergaCAMERIMAGE 2024<\/a><\/h4>\n Oct 10, 2024\t\n\t\n <\/a>\n bebob introduces new adapter for dual B-Mount power<\/a><\/h4>\n Oct 10, 2024\t\n\t\t\n\t\t\t\n\t\t\t\t\t\t\tView more news\n\t\t\t\t\t<\/a>\n\t<\/ins>\n
\n
\n\n<\/ins>\n\n\t- BSC Expo panel | The new generation<\/a><\/a><\/div><\/li><\/ul><\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<\/a>\n\t\t\t\n\t\t\t\t\t\t\tView more videos\n\t\t\t\t\t<\/a>\n
\n\t\tFeatures\n\t<\/h2>\n\t\tAll\n\t\n\t\t- All<\/li>
- Behind the Scenes<\/li>
- BSC Heritage Series<\/li>
- Camera Creative<\/li>
- Cinematic Classic<\/li>
- Commercial Break<\/li>
- Event Previews and Reports<\/li>
- In Focus<\/li>
- In the Frame<\/li>
- Industry Wide Shot<\/li>
- Innovator<\/li>
- Masterclass<\/li>
- Music In Motion<\/li>
- New Wave<\/li>
- Opinion<\/li>
- Production Profiles<\/li>
- Set To Post<\/li>
- Special Reports<\/li>
- Tech-nique<\/li>
- The Bigger Picture<\/li>
- The Craft<\/li>
- Train to Gain<\/li>
- Visionary<\/li>\t<\/ul>\n\t\n <\/a>\n
Remi Adefarasin OBE BSC \/ Mr Loverman<\/em><\/a><\/h4>\n \t\t Behind the Scenes\n\t\n <\/a>\n Benedict Spence BSC\u00a0\/ Eric<\/em><\/a><\/h4>\n Masterclass\n\t\n <\/a>\n Richard Bazley on Confines<\/em> and mental health<\/a><\/h4>\n Point of View\n\t\n <\/a>\n Wilson Cameron \/ Good One<\/em><\/a><\/h4>\n Behind the Scenes\n\t\n <\/a>\n Robert Krasker BSC \/ The Third Man<\/em><\/a><\/h4>\n Cinematic Classic\n\t\n <\/a>\n Brighter days ahead<\/a><\/h4>\n Across the Pond\n\t\n <\/a>\n Dan Mindel ASC BSC SASC \/ Twisters<\/em><\/a><\/h4>\n Camera Creative\n\t\n <\/a>\n Benjamin Kra\u010dun BSC \/ The Substance<\/em><\/a><\/h4>\n Masterclass\n\t\n <\/a>\n Pat Scola \/ Sing Sing<\/em><\/a><\/h4>\n Behind the Scenes\n\t\n <\/a>\n Simon Rowling \/ Duchess<\/em><\/a><\/h4>\n Behind the Scenes\n\t\n <\/a>\n Preserving rural filmmaking\u00a0<\/a><\/h4>\n Point of View\n\t\n <\/a>\n Jeffrey Jur ASC, Alicia Robbins, Diana Olifirova \/ Bridgerton<\/em> S3<\/a><\/h4>\n Behind the Scenes\n\t\t\n\t\t\t\n\t\t\t\t\t\t\tView more features\n\t\t\t\t\t<\/a>\n\n","protected":false},"excerpt":{"rendered":"Camera Creative Dan Mindel ASC BSC SASC \/ Twisters Dan Mindel ASC BSC SASC’s experience making action-packed movies combined with Chung’s aptitude for seamlessly blending dialogue into the mix helped them capture the perfect storm. Masterclass Benjamin Kra\u010dun BSC \/ The Substance Benjamin Kra\u010dun BSC reveals the approach he adopted when shooting The Substance, working … Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-13633","page","type-page","status-publish"],"acf":[],"yoast_head":"\nBritish Cinematographer Magazine<\/title>\n<meta name=\"description\" content=\"Camera Creative Dan Mindel ASC BSC SASC \/ Twisters Dan Mindel ASC BSC SASC's experience making action-packed movies combined with Chung's aptitude for\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/britishcinematographer.co.uk\/home\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"British Cinematographer Magazine\" \/>\n<meta property=\"og:description\" content=\"Camera Creative Dan Mindel ASC BSC SASC \/ Twisters Dan Mindel ASC BSC SASC's experience making action-packed movies combined with Chung's aptitude for\" \/>\n<meta property=\"og:url\" content=\"https:\/\/britishcinematographer.co.uk\/home\/\" \/>\n<meta property=\"og:site_name\" content=\"British Cinematographer\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/britishcinematographer\/\" \/>\n<meta property=\"article:modified_time\" content=\"2024-10-14T11:36:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/09\/2571_FP_00623B-1024x428.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@britishcine\" \/>\n<meta name=\"twitter:label1\" 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\n Behind the Scenes\n Shooting a multi-story narrative consecutively and maintaining a consistent visual style was at the centre of Robbie Ryan BSC ISC’s process when crafting triptych tale Kinds of Kindness alongside Yorgos Lanthimos.\u00a0<\/p>\n<\/a>\n\t\t\n\t<\/ins>\n
\n\t\tLatest news\n\t<\/h2>\n\t\n <\/a>\n On Becoming a Guinea Fowl<\/em> and Black Box Diaries<\/em> win Golden Eyes<\/a><\/h4>\n Oct 14, 2024\t\n\t\n <\/a>\n Gavin Smith CSC captures Fraggle Rock: Back to the Rock!<\/em> S2 with ZEISS Supreme Primes & ARRI Mini LF<\/a><\/h4>\n Oct 14, 2024\t\n\t\n <\/a>\n Submissions now open for Society of Camera Operators Awards<\/a><\/h4>\n Oct 14, 2024\t\n\t\n <\/a>\n New Tiffen Soft Glow, Black Soft Glow & Golden Glow filters released<\/a><\/h4>\n Oct 14, 2024\t\n\t\n <\/a>\n EnergaCAMERIMAGE reveal 2024 Documentary Shorts competition<\/a><\/h4>\n Oct 11, 2024\t\n\t\n <\/a>\n Matthias K\u00f6nigswieser AAC on White Bird: A Wonder Story<\/em><\/a><\/h4>\n Oct 11, 2024\t\n\t\n <\/a>\n VFX studio REALTIME launches virtual production arm<\/a><\/h4>\n Oct 10, 2024\t\n\t\n <\/a>\n UK’s film sector handed jobs and growth boost by tax reliefs<\/a><\/h4>\n Oct 10, 2024\t\n\t\n <\/a>\n Wicked<\/em> to close EnergaCAMERIMAGE 2024<\/a><\/h4>\n Oct 10, 2024\t\n\t\n <\/a>\n bebob introduces new adapter for dual B-Mount power<\/a><\/h4>\n Oct 10, 2024\t\n\t\t\n\t\t\t\n\t\t\t\t\t\t\tView more news\n\t\t\t\t\t<\/a>\n\t<\/ins>\n
\n
\n\n<\/ins>\n\n\t- BSC Expo panel | The new generation<\/a><\/a><\/div><\/li><\/ul><\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<\/a>\n\t\t\t\n\t\t\t\t\t\t\tView more videos\n\t\t\t\t\t<\/a>\n
\n\t\tFeatures\n\t<\/h2>\n\t\tAll\n\t\n\t\t- All<\/li>
- Behind the Scenes<\/li>
- BSC Heritage Series<\/li>
- Camera Creative<\/li>
- Cinematic Classic<\/li>
- Commercial Break<\/li>
- Event Previews and Reports<\/li>
- In Focus<\/li>
- In the Frame<\/li>
- Industry Wide Shot<\/li>
- Innovator<\/li>
- Masterclass<\/li>
- Music In Motion<\/li>
- New Wave<\/li>
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- Set To Post<\/li>
- Special Reports<\/li>
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- The Bigger Picture<\/li>
- The Craft<\/li>
- Train to Gain<\/li>
- Visionary<\/li>\t<\/ul>\n\t\n <\/a>\n
Remi Adefarasin OBE BSC \/ Mr Loverman<\/em><\/a><\/h4>\n \t\t Behind the Scenes\n\t\n <\/a>\n Benedict Spence BSC\u00a0\/ Eric<\/em><\/a><\/h4>\n Masterclass\n\t\n <\/a>\n Richard Bazley on Confines<\/em> and mental health<\/a><\/h4>\n Point of View\n\t\n <\/a>\n Wilson Cameron \/ Good One<\/em><\/a><\/h4>\n Behind the Scenes\n\t\n <\/a>\n Robert Krasker BSC \/ The Third Man<\/em><\/a><\/h4>\n Cinematic Classic\n\t\n <\/a>\n Brighter days ahead<\/a><\/h4>\n Across the Pond\n\t\n <\/a>\n Dan Mindel ASC BSC SASC \/ Twisters<\/em><\/a><\/h4>\n Camera Creative\n\t\n <\/a>\n Benjamin Kra\u010dun BSC \/ The Substance<\/em><\/a><\/h4>\n Masterclass\n\t\n <\/a>\n Pat Scola \/ Sing Sing<\/em><\/a><\/h4>\n Behind the Scenes\n\t\n <\/a>\n Simon Rowling \/ Duchess<\/em><\/a><\/h4>\n Behind the Scenes\n\t\n <\/a>\n Preserving rural filmmaking\u00a0<\/a><\/h4>\n Point of View\n\t\n <\/a>\n Jeffrey Jur ASC, Alicia Robbins, Diana Olifirova \/ Bridgerton<\/em> S3<\/a><\/h4>\n Behind the Scenes\n\t\t\n\t\t\t\n\t\t\t\t\t\t\tView more features\n\t\t\t\t\t<\/a>\n\n","protected":false},"excerpt":{"rendered":"Camera Creative Dan Mindel ASC BSC SASC \/ Twisters Dan Mindel ASC BSC SASC’s experience making action-packed movies combined with Chung’s aptitude for seamlessly blending dialogue into the mix helped them capture the perfect storm. Masterclass Benjamin Kra\u010dun BSC \/ The Substance Benjamin Kra\u010dun BSC reveals the approach he adopted when shooting The Substance, working … Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-13633","page","type-page","status-publish"],"acf":[],"yoast_head":"\nBritish Cinematographer Magazine<\/title>\n<meta name=\"description\" content=\"Camera Creative Dan Mindel ASC BSC SASC \/ Twisters Dan Mindel ASC BSC SASC's experience making action-packed movies combined with Chung's aptitude for\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/britishcinematographer.co.uk\/home\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" 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<\/a>\n Gavin Smith CSC captures Fraggle Rock: Back to the Rock!<\/em> S2 with ZEISS Supreme Primes & ARRI Mini LF<\/a><\/h4>\n Oct 14, 2024\t\n\t\n <\/a>\n Submissions now open for Society of Camera Operators Awards<\/a><\/h4>\n Oct 14, 2024\t\n\t\n <\/a>\n New Tiffen Soft Glow, Black Soft Glow & Golden Glow filters released<\/a><\/h4>\n Oct 14, 2024\t\n\t\n <\/a>\n EnergaCAMERIMAGE reveal 2024 Documentary Shorts competition<\/a><\/h4>\n Oct 11, 2024\t\n\t\n <\/a>\n Matthias K\u00f6nigswieser AAC on White Bird: A Wonder Story<\/em><\/a><\/h4>\n Oct 11, 2024\t\n\t\n <\/a>\n VFX studio REALTIME launches virtual production arm<\/a><\/h4>\n Oct 10, 2024\t\n\t\n <\/a>\n UK’s film sector handed jobs and growth boost by tax reliefs<\/a><\/h4>\n Oct 10, 2024\t\n\t\n <\/a>\n Wicked<\/em> to close EnergaCAMERIMAGE 2024<\/a><\/h4>\n Oct 10, 2024\t\n\t\n <\/a>\n bebob introduces new adapter for dual B-Mount power<\/a><\/h4>\n Oct 10, 2024\t\n\t\t\n\t\t\t\n\t\t\t\t\t\t\tView more news\n\t\t\t\t\t<\/a>\n\t<\/ins>\n
\n
\n\n<\/ins>\n\n\t- BSC Expo panel | The new generation<\/a><\/a><\/div><\/li><\/ul><\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<\/a>\n\t\t\t\n\t\t\t\t\t\t\tView more videos\n\t\t\t\t\t<\/a>\n
\n\t\tFeatures\n\t<\/h2>\n\t\tAll\n\t\n\t\t- All<\/li>
- Behind the Scenes<\/li>
- BSC Heritage Series<\/li>
- Camera Creative<\/li>
- Cinematic Classic<\/li>
- Commercial Break<\/li>
- Event Previews and Reports<\/li>
- In Focus<\/li>
- In the Frame<\/li>
- Industry Wide Shot<\/li>
- Innovator<\/li>
- Masterclass<\/li>
- Music In Motion<\/li>
- New Wave<\/li>
- Opinion<\/li>
- Production Profiles<\/li>
- Set To Post<\/li>
- Special Reports<\/li>
- Tech-nique<\/li>
- The Bigger Picture<\/li>
- The Craft<\/li>
- Train to Gain<\/li>
- Visionary<\/li>\t<\/ul>\n\t\n <\/a>\n
Remi Adefarasin OBE BSC \/ Mr Loverman<\/em><\/a><\/h4>\n \t\t Behind the Scenes\n\t\n <\/a>\n Benedict Spence BSC\u00a0\/ Eric<\/em><\/a><\/h4>\n Masterclass\n\t\n <\/a>\n Richard Bazley on Confines<\/em> and mental health<\/a><\/h4>\n Point of View\n\t\n <\/a>\n Wilson Cameron \/ Good One<\/em><\/a><\/h4>\n Behind the Scenes\n\t\n <\/a>\n Robert Krasker BSC \/ The Third Man<\/em><\/a><\/h4>\n Cinematic Classic\n\t\n <\/a>\n Brighter days ahead<\/a><\/h4>\n Across the Pond\n\t\n <\/a>\n Dan Mindel ASC BSC SASC \/ Twisters<\/em><\/a><\/h4>\n Camera Creative\n\t\n <\/a>\n Benjamin Kra\u010dun BSC \/ The Substance<\/em><\/a><\/h4>\n Masterclass\n\t\n <\/a>\n Pat Scola \/ Sing Sing<\/em><\/a><\/h4>\n Behind the Scenes\n\t\n <\/a>\n Simon Rowling \/ Duchess<\/em><\/a><\/h4>\n Behind the Scenes\n\t\n <\/a>\n Preserving rural filmmaking\u00a0<\/a><\/h4>\n Point of View\n\t\n <\/a>\n Jeffrey Jur ASC, Alicia Robbins, Diana Olifirova \/ Bridgerton<\/em> S3<\/a><\/h4>\n Behind the Scenes\n\t\t\n\t\t\t\n\t\t\t\t\t\t\tView more features\n\t\t\t\t\t<\/a>\n\n","protected":false},"excerpt":{"rendered":"Camera Creative Dan Mindel ASC BSC SASC \/ Twisters Dan Mindel ASC BSC SASC’s experience making action-packed movies combined with Chung’s aptitude for seamlessly blending dialogue into the mix helped them capture the perfect storm. Masterclass Benjamin Kra\u010dun BSC \/ The Substance Benjamin Kra\u010dun BSC reveals the approach he adopted when shooting The Substance, working … Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-13633","page","type-page","status-publish"],"acf":[],"yoast_head":"\nBritish Cinematographer Magazine<\/title>\n<meta name=\"description\" content=\"Camera Creative Dan Mindel ASC BSC SASC \/ Twisters Dan Mindel ASC BSC SASC's experience making action-packed movies combined with Chung's aptitude for\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/britishcinematographer.co.uk\/home\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" 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<\/a>\n New Tiffen Soft Glow, Black Soft Glow & Golden Glow filters released<\/a><\/h4>\n Oct 14, 2024\t\n\t\n <\/a>\n EnergaCAMERIMAGE reveal 2024 Documentary Shorts competition<\/a><\/h4>\n Oct 11, 2024\t\n\t\n <\/a>\n Matthias K\u00f6nigswieser AAC on White Bird: A Wonder Story<\/em><\/a><\/h4>\n Oct 11, 2024\t\n\t\n <\/a>\n VFX studio REALTIME launches virtual production arm<\/a><\/h4>\n Oct 10, 2024\t\n\t\n <\/a>\n UK’s film sector handed jobs and growth boost by tax reliefs<\/a><\/h4>\n Oct 10, 2024\t\n\t\n <\/a>\n Wicked<\/em> to close EnergaCAMERIMAGE 2024<\/a><\/h4>\n Oct 10, 2024\t\n\t\n <\/a>\n bebob introduces new adapter for dual B-Mount power<\/a><\/h4>\n Oct 10, 2024\t\n\t\t\n\t\t\t\n\t\t\t\t\t\t\tView more news\n\t\t\t\t\t<\/a>\n\t<\/ins>\n
\n
\n\n<\/ins>\n\n\t- BSC Expo panel | The new generation<\/a><\/a><\/div><\/li><\/ul><\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<\/a>\n\t\t\t\n\t\t\t\t\t\t\tView more videos\n\t\t\t\t\t<\/a>\n
\n\t\tFeatures\n\t<\/h2>\n\t\tAll\n\t\n\t\t- All<\/li>
- Behind the Scenes<\/li>
- BSC Heritage Series<\/li>
- Camera Creative<\/li>
- Cinematic Classic<\/li>
- Commercial Break<\/li>
- Event Previews and Reports<\/li>
- In Focus<\/li>
- In the Frame<\/li>
- Industry Wide Shot<\/li>
- Innovator<\/li>
- Masterclass<\/li>
- Music In Motion<\/li>
- New Wave<\/li>
- Opinion<\/li>
- Production Profiles<\/li>
- Set To Post<\/li>
- Special Reports<\/li>
- Tech-nique<\/li>
- The Bigger Picture<\/li>
- The Craft<\/li>
- Train to Gain<\/li>
- Visionary<\/li>\t<\/ul>\n\t\n <\/a>\n
Remi Adefarasin OBE BSC \/ Mr Loverman<\/em><\/a><\/h4>\n \t\t Behind the Scenes\n\t\n <\/a>\n Benedict Spence BSC\u00a0\/ Eric<\/em><\/a><\/h4>\n Masterclass\n\t\n <\/a>\n Richard Bazley on Confines<\/em> and mental health<\/a><\/h4>\n Point of View\n\t\n <\/a>\n Wilson Cameron \/ Good One<\/em><\/a><\/h4>\n Behind the Scenes\n\t\n <\/a>\n Robert Krasker BSC \/ The Third Man<\/em><\/a><\/h4>\n Cinematic Classic\n\t\n <\/a>\n Brighter days ahead<\/a><\/h4>\n Across the Pond\n\t\n <\/a>\n Dan Mindel ASC BSC SASC \/ Twisters<\/em><\/a><\/h4>\n Camera Creative\n\t\n <\/a>\n Benjamin Kra\u010dun BSC \/ The Substance<\/em><\/a><\/h4>\n Masterclass\n\t\n <\/a>\n Pat Scola \/ Sing Sing<\/em><\/a><\/h4>\n Behind the Scenes\n\t\n <\/a>\n Simon Rowling \/ Duchess<\/em><\/a><\/h4>\n Behind the Scenes\n\t\n <\/a>\n Preserving rural filmmaking\u00a0<\/a><\/h4>\n Point of View\n\t\n <\/a>\n Jeffrey Jur ASC, Alicia Robbins, Diana Olifirova \/ Bridgerton<\/em> S3<\/a><\/h4>\n Behind the Scenes\n\t\t\n\t\t\t\n\t\t\t\t\t\t\tView more features\n\t\t\t\t\t<\/a>\n\n","protected":false},"excerpt":{"rendered":"Camera Creative Dan Mindel ASC BSC SASC \/ Twisters Dan Mindel ASC BSC SASC’s experience making action-packed movies combined with Chung’s aptitude for seamlessly blending dialogue into the mix helped them capture the perfect storm. Masterclass Benjamin Kra\u010dun BSC \/ The Substance Benjamin Kra\u010dun BSC reveals the approach he adopted when shooting The Substance, working … Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-13633","page","type-page","status-publish"],"acf":[],"yoast_head":"\nBritish Cinematographer Magazine<\/title>\n<meta name=\"description\" content=\"Camera Creative Dan Mindel ASC BSC SASC \/ Twisters Dan Mindel ASC BSC SASC's experience making action-packed movies combined with Chung's aptitude for\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/britishcinematographer.co.uk\/home\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" 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content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"17 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/britishcinematographer.co.uk\/home\/\",\"url\":\"https:\/\/britishcinematographer.co.uk\/home\/\",\"name\":\"British Cinematographer Magazine\",\"isPartOf\":{\"@id\":\"https:\/\/britishcinematographer.co.uk\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/britishcinematographer.co.uk\/home\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/britishcinematographer.co.uk\/home\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/britishcinematographer.co.uk\/wp-content\/uploads\/2024\/09\/2571_FP_00623B-1024x428.jpg\",\"datePublished\":\"2019-09-03T16:03:35+00:00\",\"dateModified\":\"2024-10-14T11:36:33+00:00\",\"description\":\"Camera Creative Dan Mindel ASC BSC SASC \/ Twisters Dan Mindel ASC BSC SASC's experience making 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<\/a>\n Matthias K\u00f6nigswieser AAC on White Bird: A Wonder Story<\/em><\/a><\/h4>\n Oct 11, 2024\t\n\t\n <\/a>\n VFX studio REALTIME launches virtual production arm<\/a><\/h4>\n Oct 10, 2024\t\n\t\n <\/a>\n UK’s film sector handed jobs and growth boost by tax reliefs<\/a><\/h4>\n Oct 10, 2024\t\n\t\n <\/a>\n Wicked<\/em> to close EnergaCAMERIMAGE 2024<\/a><\/h4>\n Oct 10, 2024\t\n\t\n <\/a>\n bebob introduces new adapter for dual B-Mount power<\/a><\/h4>\n Oct 10, 2024\t\n\t\t\n\t\t\t\n\t\t\t\t\t\t\tView more news\n\t\t\t\t\t<\/a>\n\t<\/ins>\n
\n
\n\n<\/ins>\n\n\t- BSC Expo panel | The new generation<\/a><\/a><\/div><\/li><\/ul><\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<\/a>\n\t\t\t\n\t\t\t\t\t\t\tView more videos\n\t\t\t\t\t<\/a>\n
\n\t\tFeatures\n\t<\/h2>\n\t\tAll\n\t\n\t\t- All<\/li>
- Behind the Scenes<\/li>
- BSC Heritage Series<\/li>
- Camera Creative<\/li>
- Cinematic Classic<\/li>
- Commercial Break<\/li>
- Event Previews and Reports<\/li>
- In Focus<\/li>
- In the Frame<\/li>
- Industry Wide Shot<\/li>
- Innovator<\/li>
- Masterclass<\/li>
- Music In Motion<\/li>
- New Wave<\/li>
- Opinion<\/li>
- Production Profiles<\/li>
- Set To Post<\/li>
- Special Reports<\/li>
- Tech-nique<\/li>
- The Bigger Picture<\/li>
- The Craft<\/li>
- Train to Gain<\/li>
- Visionary<\/li>\t<\/ul>\n\t\n <\/a>\n
Remi Adefarasin OBE BSC \/ Mr Loverman<\/em><\/a><\/h4>\n \t\t Behind the Scenes\n\t\n <\/a>\n Benedict Spence BSC\u00a0\/ Eric<\/em><\/a><\/h4>\n Masterclass\n\t\n <\/a>\n Richard Bazley on Confines<\/em> and mental health<\/a><\/h4>\n Point of View\n\t\n <\/a>\n Wilson Cameron \/ Good One<\/em><\/a><\/h4>\n Behind the Scenes\n\t\n <\/a>\n Robert Krasker BSC \/ The Third Man<\/em><\/a><\/h4>\n Cinematic Classic\n\t\n <\/a>\n Brighter days ahead<\/a><\/h4>\n Across the Pond\n\t\n <\/a>\n Dan Mindel ASC BSC SASC \/ Twisters<\/em><\/a><\/h4>\n Camera Creative\n\t\n <\/a>\n Benjamin Kra\u010dun BSC \/ The Substance<\/em><\/a><\/h4>\n Masterclass\n\t\n <\/a>\n Pat Scola \/ Sing Sing<\/em><\/a><\/h4>\n Behind the Scenes\n\t\n <\/a>\n Simon Rowling \/ Duchess<\/em><\/a><\/h4>\n Behind the Scenes\n\t\n <\/a>\n Preserving rural filmmaking\u00a0<\/a><\/h4>\n Point of View\n\t\n <\/a>\n Jeffrey Jur ASC, Alicia Robbins, Diana Olifirova \/ Bridgerton<\/em> S3<\/a><\/h4>\n Behind the Scenes\n\t\t\n\t\t\t\n\t\t\t\t\t\t\tView more features\n\t\t\t\t\t<\/a>\n\n","protected":false},"excerpt":{"rendered":"Camera Creative Dan Mindel ASC BSC SASC \/ Twisters Dan Mindel ASC BSC SASC’s experience making action-packed movies combined with Chung’s aptitude for seamlessly blending dialogue into the mix helped them capture the perfect storm. Masterclass Benjamin Kra\u010dun BSC \/ The Substance Benjamin Kra\u010dun BSC reveals the approach he adopted when shooting The Substance, working … Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-13633","page","type-page","status-publish"],"acf":[],"yoast_head":"\nBritish Cinematographer Magazine<\/title>\n<meta name=\"description\" content=\"Camera Creative Dan Mindel ASC BSC SASC \/ Twisters Dan Mindel ASC BSC SASC's experience making action-packed movies combined with Chung's aptitude for\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/britishcinematographer.co.uk\/home\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" 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<\/a>\n UK’s film sector handed jobs and growth boost by tax reliefs<\/a><\/h4>\n Oct 10, 2024\t\n\t\n <\/a>\n Wicked<\/em> to close EnergaCAMERIMAGE 2024<\/a><\/h4>\n Oct 10, 2024\t\n\t\n <\/a>\n bebob introduces new adapter for dual B-Mount power<\/a><\/h4>\n Oct 10, 2024\t\n\t\t\n\t\t\t\n\t\t\t\t\t\t\tView more news\n\t\t\t\t\t<\/a>\n\t<\/ins>\n
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\n\n<\/ins>\n\n\t- BSC Expo panel | The new generation<\/a><\/a><\/div><\/li><\/ul><\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<\/a>\n\t\t\t\n\t\t\t\t\t\t\tView more videos\n\t\t\t\t\t<\/a>\n
\n\t\tFeatures\n\t<\/h2>\n\t\tAll\n\t\n\t\t- All<\/li>
- Behind the Scenes<\/li>
- BSC Heritage Series<\/li>
- Camera Creative<\/li>
- Cinematic Classic<\/li>
- Commercial Break<\/li>
- Event Previews and Reports<\/li>
- In Focus<\/li>
- In the Frame<\/li>
- Industry Wide Shot<\/li>
- Innovator<\/li>
- Masterclass<\/li>
- Music In Motion<\/li>
- New Wave<\/li>
- Opinion<\/li>
- Production Profiles<\/li>
- Set To Post<\/li>
- Special Reports<\/li>
- Tech-nique<\/li>
- The Bigger Picture<\/li>
- The Craft<\/li>
- Train to Gain<\/li>
- Visionary<\/li>\t<\/ul>\n\t\n <\/a>\n
Remi Adefarasin OBE BSC \/ Mr Loverman<\/em><\/a><\/h4>\n \t\t Behind the Scenes\n\t\n <\/a>\n Benedict Spence BSC\u00a0\/ Eric<\/em><\/a><\/h4>\n Masterclass\n\t\n <\/a>\n Richard Bazley on Confines<\/em> and mental health<\/a><\/h4>\n Point of View\n\t\n <\/a>\n Wilson Cameron \/ Good One<\/em><\/a><\/h4>\n Behind the Scenes\n\t\n <\/a>\n Robert Krasker BSC \/ The Third Man<\/em><\/a><\/h4>\n Cinematic Classic\n\t\n <\/a>\n Brighter days ahead<\/a><\/h4>\n Across the Pond\n\t\n <\/a>\n Dan Mindel ASC BSC SASC \/ Twisters<\/em><\/a><\/h4>\n Camera Creative\n\t\n <\/a>\n Benjamin Kra\u010dun BSC \/ The Substance<\/em><\/a><\/h4>\n Masterclass\n\t\n <\/a>\n Pat Scola \/ Sing Sing<\/em><\/a><\/h4>\n Behind the Scenes\n\t\n <\/a>\n Simon Rowling \/ Duchess<\/em><\/a><\/h4>\n Behind the Scenes\n\t\n <\/a>\n Preserving rural filmmaking\u00a0<\/a><\/h4>\n Point of View\n\t\n <\/a>\n Jeffrey Jur ASC, Alicia Robbins, Diana Olifirova \/ Bridgerton<\/em> S3<\/a><\/h4>\n Behind the Scenes\n\t\t\n\t\t\t\n\t\t\t\t\t\t\tView more features\n\t\t\t\t\t<\/a>\n\n","protected":false},"excerpt":{"rendered":"Camera Creative Dan Mindel ASC BSC SASC \/ Twisters Dan Mindel ASC BSC SASC’s experience making action-packed movies combined with Chung’s aptitude for seamlessly blending dialogue into the mix helped them capture the perfect storm. Masterclass Benjamin Kra\u010dun BSC \/ The Substance Benjamin Kra\u010dun BSC reveals the approach he adopted when shooting The Substance, working … Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-13633","page","type-page","status-publish"],"acf":[],"yoast_head":"\nBritish Cinematographer Magazine<\/title>\n<meta name=\"description\" content=\"Camera Creative Dan Mindel ASC BSC SASC \/ Twisters Dan Mindel ASC BSC SASC's experience making action-packed movies combined with Chung's aptitude for\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/britishcinematographer.co.uk\/home\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" 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<\/a>\n bebob introduces new adapter for dual B-Mount power<\/a><\/h4>\n Oct 10, 2024\t\n\t\t\n\t\t\t\n\t\t\t\t\t\t\tView more news\n\t\t\t\t\t<\/a>\n\t<\/ins>\n
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\n\n<\/ins>\n\n\t- BSC Expo panel | The new generation<\/a><\/a><\/div><\/li><\/ul><\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<\/a>\n\t\t\t\n\t\t\t\t\t\t\tView more videos\n\t\t\t\t\t<\/a>\n
\n\t\tFeatures\n\t<\/h2>\n\t\tAll\n\t\n\t\t- All<\/li>
- Behind the Scenes<\/li>
- BSC Heritage Series<\/li>
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Remi Adefarasin OBE BSC \/ Mr Loverman<\/em><\/a><\/h4>\n \t\t Behind the Scenes\n\t\n <\/a>\n Benedict Spence BSC\u00a0\/ Eric<\/em><\/a><\/h4>\n Masterclass\n\t\n <\/a>\n Richard Bazley on Confines<\/em> and mental health<\/a><\/h4>\n Point of View\n\t\n <\/a>\n Wilson Cameron \/ Good One<\/em><\/a><\/h4>\n Behind the Scenes\n\t\n <\/a>\n Robert Krasker BSC \/ The Third Man<\/em><\/a><\/h4>\n Cinematic Classic\n\t\n <\/a>\n Brighter days ahead<\/a><\/h4>\n Across the Pond\n\t\n <\/a>\n Dan Mindel ASC BSC SASC \/ Twisters<\/em><\/a><\/h4>\n Camera Creative\n\t\n <\/a>\n Benjamin Kra\u010dun BSC \/ The Substance<\/em><\/a><\/h4>\n Masterclass\n\t\n <\/a>\n Pat Scola \/ Sing Sing<\/em><\/a><\/h4>\n Behind the Scenes\n\t\n <\/a>\n Simon Rowling \/ Duchess<\/em><\/a><\/h4>\n Behind the Scenes\n\t\n <\/a>\n Preserving rural filmmaking\u00a0<\/a><\/h4>\n Point of View\n\t\n <\/a>\n Jeffrey Jur ASC, Alicia Robbins, Diana Olifirova \/ Bridgerton<\/em> S3<\/a><\/h4>\n Behind the Scenes\n\t\t\n\t\t\t\n\t\t\t\t\t\t\tView more features\n\t\t\t\t\t<\/a>\n\n","protected":false},"excerpt":{"rendered":"Camera Creative Dan Mindel ASC BSC SASC \/ Twisters Dan Mindel ASC BSC SASC’s experience making action-packed movies combined with Chung’s aptitude for seamlessly blending dialogue into the mix helped them capture the perfect storm. Masterclass Benjamin Kra\u010dun BSC \/ The Substance Benjamin Kra\u010dun BSC reveals the approach he adopted when shooting The Substance, working … Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-13633","page","type-page","status-publish"],"acf":[],"yoast_head":"\nBritish Cinematographer Magazine<\/title>\n<meta name=\"description\" content=\"Camera Creative Dan Mindel ASC BSC SASC \/ Twisters Dan Mindel ASC BSC SASC's experience making action-packed movies combined with Chung's aptitude for\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/britishcinematographer.co.uk\/home\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" 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- BSC Expo panel | The new generation<\/a><\/a><\/div><\/li><\/ul><\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<\/a>\n\t\t\t\n\t\t\t\t\t\t\tView more videos\n\t\t\t\t\t<\/a>\n
\n\t\tFeatures\n\t<\/h2>\n\t\tAll\n\t
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- Visionary<\/li>\t<\/ul>\n\t\n <\/a>\n
Remi Adefarasin OBE BSC \/ Mr Loverman<\/em><\/a><\/h4>\n \t\t Behind the Scenes\n\t\n
<\/a>\n Benedict Spence BSC\u00a0\/ Eric<\/em><\/a><\/h4>\n Masterclass\n\t\n
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<\/a>\n Brighter days ahead<\/a><\/h4>\n Across the Pond\n\t\n
<\/a>\n Dan Mindel ASC BSC SASC \/ Twisters<\/em><\/a><\/h4>\n Camera Creative\n\t\n
<\/a>\n Benjamin Kra\u010dun BSC \/ The Substance<\/em><\/a><\/h4>\n Masterclass\n\t\n
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Camera Creative Dan Mindel ASC BSC SASC \/ Twisters Dan Mindel ASC BSC SASC’s experience making action-packed movies combined with Chung’s aptitude for seamlessly blending dialogue into the mix helped them capture the perfect storm. Masterclass Benjamin Kra\u010dun BSC \/ The Substance Benjamin Kra\u010dun BSC reveals the approach he adopted when shooting The Substance, working … Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-13633","page","type-page","status-publish"],"acf":[],"yoast_head":"\n
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