Explore the visual process and technical challenges faced by top DoPs on production
Shot by dazzling shot, line by irreverent line, Guardians Of The Galaxy Vol. 2 is witty, action-packed and spectacular. Cinematographer Henry Braham BSC guides us through his visual processes.
Seamus McGarvey on the challenges he faced regarding the photography, lighting and camera movement during production on $80m sci-fi horror Life.
Three-time Oscar-winning director Ang Lee harnessed his extraordinary powers to create extraordinary visual images for Billy Lynn's Long Halftime Walk.
More often than not, cinematographers can’t wait to get their hands on the very latest bits of kit. And never was this truer than when Ben Davis BSC signed to shoot Doctor Strange
With an appropriately theatrical flourish, the first meeting began between Anthony Dod Mantle and Oliver Stone to discuss the director’s intended thriller about Edward Snowden.
From brutal battlefield tactics to a revenge montage sequence that echoes The Godfather, Fabian Wagner BSC reunited with filmmaker Miguel Sapocknik on Game of Thrones .
A decade after Tarzan left Africa to live in Victorian England as John Clayton III with his wife Jane, the couple are lured back to the Congo under false pretences by Leon Rom.
The bruising action in The Nice Guys spins like a modern Raymond Chandler yarn, through different parts of 1970’s Los Angeles and different social classes.
Eye In The Sky, helmed by director Gavin Hood, stars Helen Mirren as Colonel Katherine Powell, a military officer in command of drone operations aiming to capture terrorists in Kenya.
In 1820, the crewmen of New England whaling ship Essex faced a harrowing battle for survival when a whale of titanic size attacked with force.
Director Sarah Gavron's feisty feature film Suffragette, about the wrestle for women's suffrage is not a prim and proper affair. Far from it.
Khondji's latest film for Woody Allen follows the increasingly complicated life of a philosophy professor who breaks out of slump by challenging fate and his own mortality.
One of the biggest names in show business, Arnold Schwarzenegger, reprises his role as the eponymous robot character in Paramount’s $175m-plus sci-fi action feature.
Mad Max: Fury Road is the fourth instalment in writer/director George Miller’s post-apocalyptic, high-octane, action franchise. It is also the first digital film for cinematographer John Seale ACS ASC.
